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THE SWAMP FOX

HOW FRANCIS MARION SAVED THE AMERICAN REVOLUTION

A thoroughly researched biography, if a tad tendentious.

An admiring biography of Francis Marion (1732-1795), a military hero of the American Revolution.

As Oller (American Queen: The Rise and Fall of Kate Chase Sprague—Civil War "Belle of the North" and Gilded Age Woman of Scandal, 2013, etc.) notes, readers of a certain age will remember Marion, the “Swamp Fox,” as the subject of a Disney TV series that ran from 1959 to 1961, and he also reminds us that the 2000 Mel Gibson film, The Patriot, was based loosely on Marion’s exploits. The author’s strategy is conventional and chronological. He acknowledges the difficulty of separating fact from legend in Marion’s case, but the author is resolute. He teaches us about Marion’s family (he did not marry until after the war) and the determination of the British to employ a Southern strategy as the war progressed. A slaveholder in South Carolina, he became a militia leader and quickly established himself as a slippery foe, one who, the author declares, borrowed from the guerrilla tactics of the Cherokee, whom he’d fought earlier. Oller takes us through each of the two dozen or so of Marion’s engagements, virtually all of which were successful; sometimes the detail is daunting, but the maps help clarify matters. Oller shows us a man who was a stickler for discipline but who also refused to allow his men to plunder and commit other overly punitive acts. We meet, as well, his military supporters and antagonists—Nathanael Greene among the former, Thomas Sumter among the latter. Oller is generous in his praise for Marion—his efforts did thwart the Southern strategy—but he seems a bit uncomfortable discussing the Swamp Fox as a slave owner. Although the author periodically alludes to slavery, he does not discuss it in much detail until the final pages, where he states it’s “safe to assume [Marion] was not a cruel master.”

A thoroughly researched biography, if a tad tendentious.

Pub Date: Nov. 1, 2016

ISBN: 978-0-306-82457-9

Page Count: 400

Publisher: Da Capo

Review Posted Online: Sept. 7, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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