by John Prendergast & Fidel Bafilemba photographed by Ryan Gosling illustrated by Sam Ilus ‧ RELEASE DATE: Dec. 4, 2018
No thoughtful reader of this book will look at his or her computer or cellphone the same way again.
Eye-opening reportage from an African nation that has been robbed and despoiled for centuries—but that is now finding paths of resistance.
Human-rights activists Prendergast (co-author: The Enough Moment: Fighting to End Africa's Worst Human Rights Crimes, 2010, etc.) and Bafilemba, the latter a Congolese field researcher, begin with the story of a woman who was abducted by a local militia in the Democratic Republic of Congo, held captive for 15 months, and repeatedly raped as “the wife of everyone.” She managed to escape, only to be brutalized again by invading Rwandan soldiers, and finally became a teacher and mentor “to countless Congolese women who have experienced physical and emotional trauma.” Hers is a story that has been repeated again and again for centuries as Congolese rulers, for a price, have allowed outside powers to loot its resources, by which the nation should rightfully be one of the richest in the world. Instead, in recent history, it has been ruled by kleptocrats—currently Joseph Kabila, who “has subverted democratic processes and violently repressed independent and opposition voices in order to retain power indefinitely”—even as those outside interests remove astonishing quantities of what the authors enumerate as four “conflict minerals.” These include tin, tantalum, tungsten, and gold, as well as cobalt and diamonds, all things that enrich the developed world and make many of its modern technologies possible. Change is possible: The authors hold that Congo offers a case study not just in inequality and postcolonial exploitation but also in what can be done about them, including being sure that jewelers source their supplies responsibly and use “conflict-free artisanal gold from Congo in their jewelry lines.” Gosling provides excellent images of daily life in Congo, while, in a postscript, Dave Eggers urges readers to find ways to support small-scale “local projects conceived and run by local residents,” funding the people who most need help.
No thoughtful reader of this book will look at his or her computer or cellphone the same way again.Pub Date: Dec. 4, 2018
ISBN: 978-1-4555-8464-2
Page Count: 352
Publisher: Grand Central Publishing
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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