Students of game-making and business alike will find useful, sometimes rueful lessons.
The video game–creating legend recounts a life in the programming trenches.
“Rip enemies’ heads off and take them to a sacrificial altar to power yourself up.” Thus a feature dangled as an enticement for potential buyers of the iconic first-person-shooter game Quake, introduced in 1996. Born into a chaotic, dysfunctional family, Romero found refuge in games such as Dungeons & Dragons and then fell in love with computers and coding and put his deep intelligence to work mastering things like Assembly language and CP/M. In the workaday world of game writing, the chaos continued; projects were canceled in midstream, office politics proved ruinous, and technology frequently outpaced the programs he was writing. Still, with like-minded friends and later outside hires, “amped on cans of Coke and fueled by pizza,” Romero built up his chops and founded id Software, maker of blood-and-mayhem classics such as Wolfenstein, Spear of Destiny, and the Doom series. Alas, though the money rolled in and Ferraris followed, compromises of vision and clashes of personality did, too, and Romero left at just about the time Quake appeared. The author is candid in his discussion of the Columbine shooters, who were addicts of his blood-soaked scenarios, rejecting the commonplace accusation that violent games lead to violence in real life. Confessing failures as well as triumphs, Romero counsels, “Don’t hype what you don’t have,” and “never insult your fans, even in jest.” The author has plenty of advice to dispense—too much, at times: Near the beginning of his memoir, Romero announces, “I have hyperthymesia,” or total recall, and if his book has an overarching fault, it’s that it’s overstuffed. As the author allows, “In writing this book, I put everything I could think of into it.” Were the book as streamlined as the storied graphic engine in Doom, it would have been a little less unwieldy.
Students of game-making and business alike will find useful, sometimes rueful lessons.Pub Date: July 18, 2023
ISBN: 9781419758119
Page Count: 384
Publisher: Abrams
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
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