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THE DEVIL’S CODE

Tailor-made for the potentially huge X-Men audience that can’t be bothered scanning all those comic-book pictures or hiking...

Sandford reaches back to the dim past before his fabulously popular Lucas Davenport thrillers (Easy Prey, p. 327, etc.) to resurrect his even pulpier hero, artist/hacker/design-thief Kidd (The Empress File, 1992, not reviewed), for this tale of computer skullduggery on an epic scale.

When her brother Jack Morrison is shot dead, allegedly while breaking into a sensitive area at the Dallas firm of AmMath, Lane Ward follows his posthumous directive to “get in touch with Kidd.” It’s good advice, since Kidd immediately sets Lane’s mind at rest about her brother’s ethics by insisting that Jack would never have been carrying a gun on such a routine errand. Instead, he wonders what AmMath, encryption specialists who’ve been working on a code for a new generation of computer chips that will allow Uncle Sam to read everybody’s mail, might have had on Jack that made them want to set him up. The answer follows shortly with the news that a conspiracy of hackers calling themselves Firewall has brought the IRS to its knees by flooding it with bogus electronic returns. The only problem with the report is that Kidd, a member of Firewall, doesn’t know anything about this latest act of civil disobedience. Neither do any of the other Firewallers he gets in touch with. Realizing that AmMath CEO St. John Corbeil is setting up Firewall just as he set up Jack, Kidd and his friend LuEllen, whose specialty is stealing the portable property that’s too bulky for Kidd, go into full action mode with half a dozen brainy, well-armed specialist allies. The fur flies furiously, though the plot, fueled by endless, mindless action scenes punctuated by macho posturing from characters of every gender, soon sags into monotony.

Tailor-made for the potentially huge X-Men audience that can’t be bothered scanning all those comic-book pictures or hiking out to the bijou.

Pub Date: Oct. 2, 2000

ISBN: 0-399-14650-4

Page Count: 320

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2000

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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