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BLACK LIGHTNING

Bestselling horror writer Saul (The Homing, 1994, etc.) presents the serial killer you can't kill, even with 2,000 volts of electricity flooding through him for two minutes. When Seattle reporter Anne Jeffers attends the execution of Richard Kraven, she's given Kraven's last interview, during which the genius murdererwhose victims are numberlessswears he's innocent. Is it possible that Kraven was possessed by an evil entity, an entity passed into Kraven from his abusive father, who used electricity to torture Richard as a child? Author Saul does not spell it out completely, but when Kraven is electrocuted by the state, his soul leaps into the body of Anne Jeffers's architect husband Glen, who happens to die of a heart attack just then and is brought back to life. Kraven takes over Glen's mind and will ``prove'' to Anne that Richard Kraven was an innocent man. How? By performing new serial murders that, as before, leave a secret sign in the victims' pleural cavity, a pair of black lightning bolts, that only the police know about. At the same time, though, there's a copycat murderer abroad, who also eviscerates his victims as did Kraven. That turns out to be his very dumb brother Rory, whom Kraven murders along with their mother. Meanwhile, Anne gets gaslighted by threats that pop up on her computer, then disappear. Will Kraven/Glen murder her two children in his search for the Life Force? Well, there's no end to murder, since with a twinkle Saul indicates that even with the villain seemingly disposed of, the entityas in any number of taleslives on. Evil genius Kraven lacks the concrete weight on the page of Thomas Harris's serial killers, but no matter. However banal the plot, the suspense works, ensuring the readership of many. (Literary Guild alternate selection)

Pub Date: Aug. 1, 1995

ISBN: 0-449-90864-X

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1995

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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