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THIS LAND THAT I LOVE

IRVING BERLIN, WOODY GUTHRIE, AND THE STORY OF TWO AMERICAN ANTHEMS

Shaw tries to pull off the same trick here as Alan Light did with Leonard Cohen’s “Hallelujah” in The Holy or the Broken...

The juxtaposition of two of America’s most enduring national anthems.

The beginning of this provocative history of Woody Guthrie’s persistent folk song and elementary school staple “This Land is Your Land” and Irving Berlin’s overly sentimental “God Bless America” is a visceral scene. Writes music and theater critic Shaw, “Woody Guthrie was worried he might freeze to death. Twenty-seven years old and almost completely unknown, he was hitchhiking to New York and had been stuck outside Harrisburg, Pennsylvania, standing for hours in a snowstorm, waiting for someone, anyone, to pick him up.” It’s also a supposition, one of many that the narrative is built around: “Some people say that it was when he was freezing on the side of the road that he started thinking about a rebuttal [to “God Bless America”], a song that would give vent to his leftist politics.” What people, exactly? From there, this is a by-the-books (lots of books, with little original research) retelling of a story most folk-music fans know already. Shaw tries hard to weave tenuous threads between Berlin, the wealthy, internationally famous songwriter, and Guthrie, the singer/songwriter with a chip on his shoulder and a bunch of Carter Family melodies in his head. Berlin’s story doesn’t resonate well here; even 40-something years gone, Guthrie casts a very long shadow. Shaw does unearth an interesting alternative version of “This Land is Your Land” from the Woody Guthrie Archives. Written in the 1950s, it loses much of its politics, substituting mystical imagery about fertility and joy. For readers who want to delve deeply into one of these two specific songs, this book is a pleasant, harmless diversion. More casual readers would be better served by Joe Klein’s 1980 biography or, better yet, Woody’s own 1943 story, Bound For Glory.

Shaw tries to pull off the same trick here as Alan Light did with Leonard Cohen’s “Hallelujah” in The Holy or the Broken (2012), but there’s too little weight here to justify the act.

Pub Date: Nov. 5, 2013

ISBN: 978-1-61039-223-5

Page Count: 288

Publisher: PublicAffairs

Review Posted Online: Oct. 9, 2013

Kirkus Reviews Issue: Nov. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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