A lyrical, lovely display of Updike’s protean powers.

HIGHER GOSSIP

ESSAYS AND CRITICISM

A potpourri of pieces from the busy pen of the gifted Updike (1932-2009), who shows that he could write convincingly about nearly anything.

Using material the author left in a couple of boxes for just such a publication, editor Carduff (who assembled the two William Maxwell volumes for the Library of America) arranged the pieces in a way he judged consistent with Updike’s earlier collections (Picked-Up Pieces, 1975, etc.). The current volume contains poems and short fiction as well as book reviews, art criticism, forewords and afterwords, comments and letters and speeches. Reading them consecutively causes a reader’s jaw to drop in astonishment at the range of Updike’s talents and interests. There are valedictory pieces (an emotional poem about Massachusetts General Hospital, a piece about time’s effects on a writer); explicit reminders that a writer’s duty is to bring news to the reader; curmudgeonly complaints about crowded art exhibits; praise for colleagues; potshots at biographers (he did not care for Blake Bailey’s Cheever: A Life, 2009); pieces that reveal his intimacy with subjects including Aimee Semple McPherson, the history of golf in Massachusetts, the drawings of Van Gogh, the planet Mars, the stories of his adopted town of Ipswich, Mass. Throughout are reminders of what readers lost when Updike died: the perfect word, the graceful sentences that somehow seem impossible to improve, the wry humor, the vast knowledge and the humility. In one essay, he identifies a handful of principles he followed in his book-reviewing, and in a dazzling long piece he talks about the genesis and composition of his four Rabbit novels—perhaps his greatest literary achievement.

A lyrical, lovely display of Updike’s protean powers.

Pub Date: Nov. 3, 2011

ISBN: 978-0-307-95715-3

Page Count: 528

Publisher: Knopf

Review Posted Online: Sept. 4, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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MARTIN LUTHER KING, JR. AND THE MARCH ON WASHINGTON

This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)

Pub Date: Jan. 1, 2001

ISBN: 0-448-42421-5

Page Count: 48

Publisher: Grosset & Dunlap

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2000

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