A lyrical, lovely display of Updike’s protean powers.

HIGHER GOSSIP

ESSAYS AND CRITICISM

A potpourri of pieces from the busy pen of the gifted Updike (1932-2009), who shows that he could write convincingly about nearly anything.

Using material the author left in a couple of boxes for just such a publication, editor Carduff (who assembled the two William Maxwell volumes for the Library of America) arranged the pieces in a way he judged consistent with Updike’s earlier collections (Picked-Up Pieces, 1975, etc.). The current volume contains poems and short fiction as well as book reviews, art criticism, forewords and afterwords, comments and letters and speeches. Reading them consecutively causes a reader’s jaw to drop in astonishment at the range of Updike’s talents and interests. There are valedictory pieces (an emotional poem about Massachusetts General Hospital, a piece about time’s effects on a writer); explicit reminders that a writer’s duty is to bring news to the reader; curmudgeonly complaints about crowded art exhibits; praise for colleagues; potshots at biographers (he did not care for Blake Bailey’s Cheever: A Life, 2009); pieces that reveal his intimacy with subjects including Aimee Semple McPherson, the history of golf in Massachusetts, the drawings of Van Gogh, the planet Mars, the stories of his adopted town of Ipswich, Mass. Throughout are reminders of what readers lost when Updike died: the perfect word, the graceful sentences that somehow seem impossible to improve, the wry humor, the vast knowledge and the humility. In one essay, he identifies a handful of principles he followed in his book-reviewing, and in a dazzling long piece he talks about the genesis and composition of his four Rabbit novels—perhaps his greatest literary achievement.

A lyrical, lovely display of Updike’s protean powers.

Pub Date: Nov. 3, 2011

ISBN: 978-0-307-95715-3

Page Count: 528

Publisher: Knopf

Review Posted Online: Sept. 4, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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