THE AFTERLIFE

AND OTHER STORIES

"The Big Guy is getting our range," says the 60ish protagonist of the title story. Death is catching up with many of the characters in Updike's (Brazil, 1994, etc.) latest short-story collection, which may explain the tilt toward familial reminiscence and corresponding loss of narrative bite. It is memory, memory of a three-way love involving a mother, her son, and their home, that fuels the longest offering, "A Sandstone Farmhouse"; despite moments of exquisite pathos, it is too detailed and static. (A tighter companion piece, "The Black Room," works better.) A much shorter, essaylike fiction celebrates "the smell of family, family without end" that emanates from "The Brown Chest." The family also figures in the more conventionally structured stories. Some old friends, the Maples, reappear in "Grandparenting," jostling amusingly for pride of place at the birth of their first grandchild, while in "Brother Grasshopper," about two brothers-in-law, it is the seemingly feckless one who proves the truer custodian of the family's identity. For the older characters, death is not always an adversary: Carter ("The Afterlife") and Fanshawe ("Playing with Dynamite") feel serenely indifferent to its approach. True terror does strike once, for a cancer victim and her hospital visitor ("The Journey to the Dead"). But Updike's playfulness surfaces in his story of a clairvoyant Scottish caddie ("Farrell's Caddie") and in his witty sketch of a dental hygienist ("Tristan and Iseult"). Nor have the bright lights of adultery altogether dimmed. Two separately married members disrupt their suburban recorder group when they become lovers ("The Man Who Became a Soprano"). Then there is the sparkling "Baby's First Step" in which Glenn, a 36-year-old lawyer, begins a second career as a philanderer by seducing his best friend's wife, and death could not be farther away. Not among the best of Updike's collections, but even the duller stories yield extraordinary pleasures of language and perception.

Pub Date: Nov. 7, 1994

ISBN: 0-679-43583-2

Page Count: 336

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1994

Did you like this book?

No Comments Yet

THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

Did you like this book?

No Comments Yet

Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers...

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2019

  • New York Times Bestseller

EXHALATION

Exploring humankind's place in the universe and the nature of humanity, many of the stories in this stellar collection focus on how technological advances can impact humanity’s evolutionary journey.

Chiang's (Stories of Your Life and Others, 2002) second collection begins with an instant classic, “The Merchant and the Alchemist’s Gate,” which won Hugo and Nebula awards for Best Novelette in 2008. A time-travel fantasy set largely in ancient Baghdad, the story follows fabric merchant Fuwaad ibn Abbas after he meets an alchemist who has crafted what is essentially a time portal. After hearing life-changing stories about others who have used the portal, he decides to go back in time to try to right a terrible wrong—and realizes, too late, that nothing can erase the past. Other standout selections include “The Lifecycle of Software Objects,” a story about a software tester who, over the course of a decade, struggles to keep a sentient digital entity alive; “The Great Silence,” which brilliantly questions the theory that humankind is the only intelligent race in the universe; and “Dacey’s Patent Automatic Nanny,” which chronicles the consequences of machines raising human children. But arguably the most profound story is "Exhalation" (which won the 2009 Hugo Award for Best Short Story), a heart-rending message and warning from a scientist of a highly advanced, but now extinct, race of mechanical beings from another universe. Although the being theorizes that all life will die when the universes reach “equilibrium,” its parting advice will resonate with everyone: “Contemplate the marvel that is existence, and rejoice that you are able to do so.”

Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers in a big way.

Pub Date: May 8, 2019

ISBN: 978-1-101-94788-3

Page Count: 368

Publisher: Knopf

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

Did you like this book?

No Comments Yet
more