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THE LAST CANYON

A worthy addition to the fiction of western exploration pioneered (so to speak) by Vardis Fisher and Frederic Manfred. And...

John Wesley Powell’s explorations of the Colorado Territory and Grand Canyon provide the narrative core of Vernon’s richly detailed fifth novel, a historical saga closely akin to his earlier La Salle (1986) and Peter Doyle (1991).

The story begins and ends with Powell’s letters home to his wife Emma, with whom he had previously ventured into the southwest desert, several years after serving in the Union Army, and losing an arm to injuries sustained during the battle of Shiloh. In 1869, he sets out again, leading a party of eight volunteers whose (efficiently distinguished) members include “Wes’s” sturdy brother Walter, scholarly cartographer Oramel Howland, and taciturn, quick-tempered Bill Dunn (who’ll become Powell’s chief antagonist, as hardships and internecine tensions multiply). “If the professor could only study geology, he’d be content to live without food or shelter,” Powell’s men complain. In fact, he’s driven by his scientist’s curiosity about the wild, near-pristine country they travel through: specifically, about “the riddle of rivers cutting through mountains” (which he eventually solves). Vernon juxtaposes the story of Powell’s embattled voyage against that of a tribe of Paiute Indians on a “dangerous hunt” and subsequent trek undertaken to evade their enemies the Navajo and strengthen their own numbers—a plan that puts them on a collision course with the white explorers. The Paiute passages do somewhat dissipate the force of the novel’s primary actions—despite the vivid figures of introspective warrior Toab and his expedient brother Onchok (who sells his children for badly needed rifles), and some beautifully realized scenes in which Paiute religious and cultural practices are effectively dramatized. No matter: the lengthy account of the Powell party’s arduous passage through “the great unknown” (i.e., Grand Canyon) refocuses the reader’s attention, stunningly.

A worthy addition to the fiction of western exploration pioneered (so to speak) by Vardis Fisher and Frederic Manfred. And Vernon’s best yet.

Pub Date: Oct. 16, 2001

ISBN: 0-618-10940-4

Page Count: 352

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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