It's certainly possible to write a hilarious novel about a bad comic, but Warner never breaks through the smug sensibility...
The sardonic tale of a hapless comic who rockets to fame with an idiotic gimmick only to find his life in worse turmoil—especially after emptying a gun into a guy on the street, for reasons left unexplained until the end.
Warner, a writer-editor associated with McSweeney's, makes his fiction debut with a novel about a character referred to only as the funny man—not the Funny Man, but the lower-case kind. The funny man's shtick is to deliver impressions and one-liners with his fist shoved deep into his mouth. His ticket to greater fame is a movie so awful—a bunch of hand-in-throat outtakes—that audiences mistake it for something brilliant. The funny man loves all the money and celebrity and limo sex, but it doesn't make him any less pathetic. His wife leaves him when a publicity-seeking actress claims she had sex with him during filming, comes back after he falsely fesses up and then leaves him again when he insists on the truth. His lawyer's genius strategy to plead him not guilty by reason of celebrity is a non-starter. And then there's the obligatory blow to the crotch the funny man suffers, in a batting cage. Redemption comes, sort of, in the form of the one-time tennis star he has been smitten with since detecting she was beaming him private messages in her TV ads. Much of the book seems beamed from the past as well. Warner's cultural commentary is passé when not obvious, and in going after a George Saunders–type absurdism, he isn't especially funny or clever (the protagonist's fondness for Kick in the A$$, a reality show he invents on which volunteers get booted in the rear for money, is indistinguishable from Warner's). Warner also should note that no comic would use "You dirty rat," the most famous line James Cagney never actually uttered, in a Bogie impersonation.
It's certainly possible to write a hilarious novel about a bad comic, but Warner never breaks through the smug sensibility of his debut to transcend his subject.Pub Date: Sept. 27, 2011
ISBN: 978-1-56947-973-5
Page Count: 288
Publisher: Soho
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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