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GODSEND

Wray is paying appropriate respect to the matters of gender and religion he’s taken on. But the narrative is also subsumed...

A young woman heads to the Middle East for spiritual guidance but instead encounters the violent side of jihadism.

Wray’s fifth novel (The Lost Time Accidents, 2016, etc.) keeps its narrative lens firmly trained on Aden Grace Sawyer, a young woman who leaves her Northern California home with her boyfriend, Decker, to enter a men-only madrasa in Peshawar, Pakistan, trusting that her boyish frame and crew cut are a sufficient disguise. Her commitment to Islam is intense, though the source of her conversion is vague. Her father is a scholar of the religion, but he strenuously disapproves of her decision. “You have disappointments in store, I’m afraid,” he intones. Dad is right, though her disillusionment happens slowly, naturally—and, to Wray’s credit, without hackneyed caricatures of violent terrorists or trite gender-swap plot twists. There are linguistic and cultural barriers that are difficult to cross (her teachers don’t quite get that her father is a scholar of Islam but not an adherent), Decker is increasingly absent, and she suspects he’s increasingly involved in fighting on the Afghanistan-Pakistan border. If so much deception is going on, Aden (and Wray) wonders, what room is there for spiritual seeking? In the novel’s second half, Aden increasingly becomes witness to and participant in violence, though Wray’s tone is so restrained and muted the effect of such events feels more like moral disappointments than emotional crises. (Letters home from Aden, written in a snappish tone, have a little more blood in them.) Indeed, it’s a stylistic counterpoint to Wray’s previous novel, the ungainly, loose-limbed The Lost Time Accidents. But as Aden’s crisis comes to a head, some recklessness would be welcome.

Wray is paying appropriate respect to the matters of gender and religion he’s taken on. But the narrative is also subsumed by its own gravitas.

Pub Date: Oct. 9, 2018

ISBN: 978-0-374-16470-6

Page Count: 240

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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