In this exhaustive work, Dubliners and Joyce scholars Jackson and Costello (the latter the author of James Joyce, 1993) portray the Joyces’ paterfamilias as a colorful figure from a fading world, and his orbit as a priceless source for much of James’s fiction. Write Jackson and Costello, “in a real sense John Stanislaus Joyce is the ur-author of Ulysses and Finnegans Wake.” A supporter of Irish nationalist Charles Stewart Parnell and Irish home rule, John Stanislaus Joyce (1849—1931) is described as his son’s primary literary inspiration and as providing the context to almost everything he wrote. The only son of James Augustine Joyce and Ellen O’Connell, John entered Queen’s College, Cork, in 1867, but he would not complete his higher education. He began his professional career as an accountant in Cork. Money was a lifelong struggle; though he was never quite officially bankrupt, the family moved residences, as the authors show, with shocking frequency, and John changed employers constantly. A prideful father, John watched his eldest (and favored) son, James, abandon his medical studies in Paris for journalism and later fiction writing. James, they say, was always “eager to draw on his father’s memories and extravagant idioms,” including a deathbed interview arranged to create lasting documentation of John’s world. (James also built up character sketches in his notes, some reproduced here, for use in his fiction.) Jackson and Costello are likewise determined to locate, or at least observe, James’s countless real-life sources—names, places, characters, anecdotes—in his father’s “voluminous” life and milieu. They recount the aging John’s bestowing custodianship of the Joyce family portraits to his son in a symbolic passing of the family torch. Later, in Zurich, James would “turn memory into literature.” A readable biography, undeniably a useful contribution to Joyce studies, though overlong and over-detailed for most casual fans. (16 pages b&w photos)
Pub Date: June 1, 1998
ISBN: 0-312-18599-5
Page Count: 512
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1998
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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