In this exhaustive work, Dubliners and Joyce scholars Jackson and Costello (the latter the author of James Joyce, 1993) portray the Joyces’ paterfamilias as a colorful figure from a fading world, and his orbit as a priceless source for much of James’s fiction. Write Jackson and Costello, “in a real sense John Stanislaus Joyce is the ur-author of Ulysses and Finnegans Wake.” A supporter of Irish nationalist Charles Stewart Parnell and Irish home rule, John Stanislaus Joyce (1849—1931) is described as his son’s primary literary inspiration and as providing the context to almost everything he wrote. The only son of James Augustine Joyce and Ellen O’Connell, John entered Queen’s College, Cork, in 1867, but he would not complete his higher education. He began his professional career as an accountant in Cork. Money was a lifelong struggle; though he was never quite officially bankrupt, the family moved residences, as the authors show, with shocking frequency, and John changed employers constantly. A prideful father, John watched his eldest (and favored) son, James, abandon his medical studies in Paris for journalism and later fiction writing. James, they say, was always “eager to draw on his father’s memories and extravagant idioms,” including a deathbed interview arranged to create lasting documentation of John’s world. (James also built up character sketches in his notes, some reproduced here, for use in his fiction.) Jackson and Costello are likewise determined to locate, or at least observe, James’s countless real-life sources—names, places, characters, anecdotes—in his father’s “voluminous” life and milieu. They recount the aging John’s bestowing custodianship of the Joyce family portraits to his son in a symbolic passing of the family torch. Later, in Zurich, James would “turn memory into literature.” A readable biography, undeniably a useful contribution to Joyce studies, though overlong and over-detailed for most casual fans. (16 pages b&w photos)
Pub Date: June 1, 1998
ISBN: 0-312-18599-5
Page Count: 512
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1998
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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