For those unfamiliar with the Cajun story, this update may be a welcome respite from the flood of Santa Claus and snow-fairy...
A humanizing origin story for the Louisiana New Year’s Eve folk figure Madame Grands Doigts.
Mademoiselle Grands Doigts is a young, white maiden known for her beauty, her generosity, and the long fingers that lend her her name. As suitors line up, a jealous bunch of Cajun mean girls gets in the way and cooks up a gris grif. After a night of dancing, Mademoiselle Grands Doigts awakens cursed, her fingers covered in warts and her skin “scaly like a crawfish sack.” Confining herself to an attic, she lives on, giving gifts on New Year’s Eve to good children. In an afterword, author Downing says she wanted to offer a less-scary take on the story, one that focuses on the Madame as a young woman who remains unchanged on the inside despite her curse. Stanley’s hazy, deep-hued painted illustrations are appropriately moody. But modernizing the story to emphasize the cursed woman’s generosity doesn’t overcome a problematic, perhaps unavoidable plot point. With only her physical appearance having changed, Grands Doigts goes from sought-after maiden to a shut-in. More effective, and much creepier, is the last readers see of the curse makers: “Into the swamps they fled, such a wolfish horrid sight, / and if you listen closely, you’ll hear them howl at night.”
For those unfamiliar with the Cajun story, this update may be a welcome respite from the flood of Santa Claus and snow-fairy books crowding the holiday shelves. (Picture book. 5-8)Pub Date: Feb. 1, 2018
ISBN: 978-1-4556-2393-8
Page Count: 32
Publisher: Pelican
Review Posted Online: Nov. 12, 2017
Kirkus Reviews Issue: Dec. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Sugary uplift, shrink-wrapped for the masses.
An elusive new quarry leads the How To Catch… kids on a merry chase through a natural history museum.
Taking at least a step away from the “hunters versus prey” vibe of previous entries in the popular series, the racially diverse group of young visitors dashes through various museum halls in pursuit of the eponymous dino—whose quest to “spread kindness and joy ’round the world” takes the form of a mildly tumultuous museum tour. In most of Elkerton’s overly sweet, color-saturated scenes, only portions of the Loveosaurus, who is purple and covered with pink hearts, are visible behind exhibits or lumbering off the page. But the children find small enticements left behind, from craft supplies to make cards for endangered species to pictures of smiley faces, candy heart–style personal notes (“You Rock!” “Give Hugs”), and, in the hall of medieval arms and armor, a sign urging them to “Be Honest Be Kind.” The somewhat heavy-handed lesson comes through loud and clear. “There’s a message, he wants us to think,” hints Walstead to clue in more obtuse readers…and concluding scenes of smiling people young and otherwise exchanging hugs and knuckle bumps, holding doors for a wheelchair rider, and dancing through clouds of sparkles indicate that they, at least, have gotten it. (This book was reviewed digitally.)
Sugary uplift, shrink-wrapped for the masses. (Picture book. 5-7)Pub Date: Dec. 6, 2022
ISBN: 9781728268781
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 17, 2023
Kirkus Reviews Issue: Feb. 15, 2023
Fun, in an odd sort of way.
The old folk song is given a Hanukkah spin in a parody that blends Jewish tradition with art appreciation.
The kerchiefed grandma swallows a tiny dreidel placed atop her cream-cheesed bagel by the family cat, setting off the familiar chain of events. She swallows the oil, the latkes, 10 barrels of applesauce, a 20-ton brisket, a “mine full of gelt, before it could melt,” the menorah and candles until she is finally full. A large burp makes her feel better. The silliness, cadence and rhythm of the verse all work with the original tune; it can be a tongue twister at times but will keep kids engaged. “I know an old lady who swallowed a menorah— / A mountainous menorah, while we danced the hora.” Acrylic-based drawings using charcoal, pen and pencil place this bubbe in various scenes taken from classical paintings, providing an educational twist. She appears in comical versions of Munch’s The Scream and Vermeer’s The Milkmaid. The applesauce in a red-and-white can spoofs Andy Warhol’s Campbell Soup Cans, and the menorah is set against the background of van Gogh’s The Starry Night. Adults will see the humor but might wonder about the artist’s point in his note stating that “a new look at famous works of art seemed like the perfect way to help people of all backgrounds enjoy this fresh take on an ancient holiday.”
Fun, in an odd sort of way. (Picture book. 5-8)Pub Date: Aug. 26, 2014
ISBN: 978-0-439-91530-4
Page Count: 32
Publisher: Levine/Scholastic
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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