Despite some obviousness in the storyline, this is uplift fiction at its best, with fully drawn characters making difficult...
A young woman finds herself while caring for an embittered quadriplegic in this second novel from British author Moyes (The Last Letter from Your Lover, 2011).
Louisa has no apparent ambitions. At 26, she lives with her working-class family (portrayed with rollicking energy) in a small English town, carries on a ho-hum relationship with her dull boyfriend and works at a local cafe. Then, the cafe closes, and she must find a job fast to ease her family’s financial stress. Enter Will Traynor, a former world traveler, ladies’ man and business tycoon who’s been a quadriplegic since a traffic accident two years ago. Will’s magistrate mother hires Louisa at a relatively hefty salary to be Will’s caregiver and keep him company for the next six months—easygoing Nathan gives him his medical care and physiotherapy—but really Will’s mother wants Louisa to watch him so he doesn’t try to hurt himself. Will, once handsome and powerful, is not only embittered, but in constant pain. He has some use of one hand but is dependent on others for his basic needs, and recovery is not possible. Louisa, who can’t help speaking her mind and dresses thrift-store eccentric, thinks he hates her, but no surprise, Louisa’s sprightly, no-nonsense charms win him over. He even cheers her up on occasion. When Louisa overhears Will’s mother talking to his sister, she realizes that the Traynors have reluctantly agreed to let Will commit suicide at a facility in six months. Louisa decides to convince him to stay alive with a series of adventures. Meanwhile, Will, who senses something in her past has made Louisa fearful of adventure, is trying to broaden her experience through classical music and books. Their feelings for each other deepen. But Louisa is not Jane Eyre, and Will is not Mr. Rochester in a wheelchair, so don’t expect an easy romantic ending.
Despite some obviousness in the storyline, this is uplift fiction at its best, with fully drawn characters making difficult choices.Pub Date: Dec. 31, 2012
ISBN: 978-0-670-02660-9
Page Count: 384
Publisher: Pamela Dorman/Viking
Review Posted Online: Oct. 14, 2012
Kirkus Reviews Issue: Nov. 1, 2012
Pevear's informative introduction and numerous helpful explanatory notes help make this the essential Anna Karenina.
The husband-and-wife team who have given us refreshing English versions of Dostoevsky, Gogol, and Chekhov now present their lucid translation of Tolstoy's panoramic tale of adultery and society: a masterwork that may well be the greatest realistic novel ever written. It's a beautifully structured fiction, which contrasts the aristocratic world of two prominent families with the ideal utopian one dreamed by earnest Konstantin Levin (a virtual self-portrait). The characters of the enchanting Anna (a descendant of Flaubert's Emma Bovary and Fontane's Effi Briest, and forerunner of countless later literary heroines), the lover (Vronsky) who proves worthy of her indiscretion, her bloodless husband Karenin and ingenuous epicurean brother Stiva, among many others, are quite literally unforgettable. Perhaps the greatest virtue of this splendid translation is the skill with which it distinguishes the accents of Anna's romantic egoism from the spare narrative clarity with which a vast spectrum of Russian life is vividly portrayed.
Pevear's informative introduction and numerous helpful explanatory notes help make this the essential Anna Karenina.Pub Date: Feb. 1, 2001
ISBN: 0-670-89478-8
Page Count: 864
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2001
PERSPECTIVES
Entertaining and unpredictable; Reid makes a compelling argument for happiness in every life.
Reid’s latest (After I Do, 2014, etc.) explores two parallel universes in which a young woman hopes to find her soul mate and change her life for the better.
After ending an affair with a married man, Hannah Martin is reunited with her high school sweetheart, Ethan, at a bar in Los Angeles. Should she go home with her friends and catch up with him later, or should they stay out and have another drink? It doesn’t seem like either decision would have earth-shattering consequences, but Reid has a knack for finding skeletons in unexpected closets. Two vastly different scenarios play out in alternating chapters: in one, Hannah and Ethan reconnect as if no time has passed; in the other, Hannah lands in the hospital alone after a freak accident that marks the first of many surprising plot twists. Hannah’s best friend, Gabby, believes in soul mates, and though Hannah has trouble making decisions—even when picking a snack from a vending machine—she and Gabby discover how their belief systems can alter their world as much as their choices. “Believing in fate is like living on cruise control,” Hannah says. What follows is a thoughtful analysis of free will versus fate in which Hannah finds that disasters can bring unexpected blessings, blessings can bring unexpected disasters, and that most people are willing to bring Hannah her favorite cinnamon rolls. “Because even when it looks like she’s made a terrible mistake,” Hannah’s mother observes, “things will always work out for Hannah.” The larger question becomes whether Hannah’s choices will ultimately affect her happiness—and it’s one that’s answered on a hopeful note as Hannah tries to do the right thing in every situation she faces.
Entertaining and unpredictable; Reid makes a compelling argument for happiness in every life.Pub Date: July 7, 2015
ISBN: 978-1-4767-7688-0
Page Count: 352
Publisher: Washington Square/Pocket
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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