by Jojo Moyes ‧ RELEASE DATE: Oct. 8, 2019
A love letter to the power of books and friendship.
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Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.
Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.
A love letter to the power of books and friendship.Pub Date: Oct. 8, 2019
ISBN: 978-0-399-56248-8
Page Count: 400
Publisher: Pamela Dorman/Viking
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kate Quinn ‧ RELEASE DATE: Feb. 26, 2019
With any luck, the Nazi hunting will go on for a sequel or two.
Nazi hunters team up with a former bomber pilot to bring a killer known as the Huntress to justice.
In postwar Europe, Ian, a British war correspondent with a vendetta, and his American sidekick, Tony, have set up a shoestring operation to catch the war criminals who seem to be not just slipping, but swarming through the cracks. The same set of circumstances that led Ian to enter a marriage of convenience with Nina, a Siberian former bomber pilot, has also given both common cause: to chase down Lorelei Vogt, a Nazi known as the Huntress, who, by her lakeside lair in Poland, trapped and killed refugees, many of them children. Lorelei’s mother, blandished by Tony, reveals that her daughter immigrated to Boston. Meanwhile, Jordan, an aspiring photographer living in Boston with her widowed antiques-dealer father, Dan, welcomes a new stepmother, Austrian refugee Anneliese, and her 4-year-old daughter, Ruth. Jordan soon grows suspicious of Dan’s new bride: A candid shot captures Anneliese’s furtive “cruel” glance—and there’s that swastika charm hidden in her wedding bouquet. However, Anneliese manages to quell Jordan’s suspicions by confessing part of the truth: that Ruth is not really her daughter but a war orphan. That Jordan’s suspicions are so easily allayed strains credulity, especially since the reader is almost immediately aware that Anneliese is the Huntress in disguise. The suspense lies in how long it’s going to take Ian and company to track her down and what the impact will be on Jordan and Ruth when they do. Well-researched and vivid segments are interspersed detailing Nina’s backstory as one of Russia’s sizable force of female combat pilots (dubbed The Night Witches by the Germans), establishing her as a fierce yet vulnerable antecedent to Lisbeth Salander. Quinn’s language is evocative of the period, and her characters are good literary company.
With any luck, the Nazi hunting will go on for a sequel or two.Pub Date: Feb. 26, 2019
ISBN: 978-0-06-274037-3
Page Count: 560
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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by Linda Hogan ‧ RELEASE DATE: Oct. 1, 1995
A meandering and didactic family saga by Chickasaw poet, novelist, and essayist Hogan (Dwellings, p. 835; Mean Spirit, 1990), a tale that attemptsÖ la Little Big Manto rewrite the history of the American West from a Native American perspective. At 17, Angela Jensen decides that it's time to untangle her family, a process she begins by going hometo a remote village in western Canada called Adam's Rib, a place she no longer even recognizes. Angela looks up Agnes Iron, her great-grandmother, whom she's never met, and is soon introduced to Bush, who looked after Angela's deranged mother, Hannah, and raised Angela herself after Hannah's early death. At first, it is information about her motherstories, accounts, explanationsthat most interests Angela, but eventually she understands that the history of her family is woven tightly into the history of her family's tribe and the bloody strife that has colored their lives ever since the white men came among them: ``For us, hell was cleared forests and killed animals. But for them, hell was this world in all its plenitude.'' The troubles have been carried down to the present day, except that now the threat is comprised not of missionaries and European settlers but of government authorities who want to develop the land out of existence through the construction of a mammoth hydroelectric power plant. As her consciousness is raised, Angela begins to recognize her real identity but desires, and the anger that she labors under throughoutand that finds expression mainly in the crudest caricatures of Western culture and North American history imaginableis relieved by the happy fulfillment of her romantic (rather than political) life: a fairy-tale marriage that seems in this terrain to be even more out-of-place than the dam would have been. Tediously obvious and overwritten; Hogan's characters are so excruciatingly limited to the representation of their cultures that they become little more than allegories, reducing the tale to agitprop.
Pub Date: Oct. 1, 1995
ISBN: 0-684-81227-4
Page Count: 320
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1995
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