When a series of fatal accidents puts America's freight and passenger trains under siege, a Philadelphia-based band of railway buffs decides to investigate while the FBI (in hopes of sidetracking her) assigns a lone, inexperienced agent to the case: a technically competent but woefully predictable thriller from first-novelist Berson. Larry McBryde, a charter member of the Philly Foamers (so- called by impatient Amtrak officials because they almost literally foam at the mouth in their enthusiasm for railroadiana) heads the local transit authority's customer-service department. Concerned that someone might be sabotaging rail lines, he's badgered by fellow members into conducting an inquiry into some suspicious wrecks by fellow club members. Meantime, Jennifer Szczymanski, a rookie FBI agent who's been transferred back to Washington after bringing sexual-harassment charges against her boss in South Dakota, is detailed to look into the smashups. Aboard the Lake Shore Limited to Chicago on what could be its last run, she meets Larry, the unhappily divorced father of a precocious little girl named Melissa. The two hit it off, and Larry, who's figured out that the Lake Shore is the villains' next target, employs his special knowledge to avert a disaster. But circumstantial evidence puts Larry, who's being framed, at the top of her suspects list. They meet again on the Southwest Chief (which quick-witted Larry saves from incineration) and, after exchanging confidences, join forces just before Jennifer's obtuse superiors take him into custody. On the lam together, they reach Denver and hop the California Zephyr, which has a rendezvous with death in a long tunnel through the Rocky Mountains. With help from Jennifer, Larry pulls off another 11th-hour rescue. They then head east for a climactic shootout with the unsurprising bad guys who've kidnapped Melissa to lure them to Philadelphia's Reading Terminal Market. A fast ride of a debut along unfamiliar, often exotic, routes to a disappointingly foreseeable destination.

Pub Date: July 2, 1997

ISBN: 0-684-82586-X

Page Count: 384

Publisher: Scribner

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 1997

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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