A somber, lyrical meditation on fine art and base emotions.
A breakthrough two-part work by Norwegian Nobel laureate Fosse, appearing in English in one volume for the first time.
First published in 1995 and 1996, Fosse’s Melancholy novels predate his much-admired Septology books, his best-known work among English readers. Fans of those books will detect the emergence of his signature style here—recursive, musical, stream-of-consciousness prose that circles hawklike over themes of art, faith, and death. Fosse’s subject is Lars Hertervig (1830-1902), a painter who specialized in cloud-thickened, surrealistic landscapes. In the opening section, set in Düsseldorf, Germany, in 1853, he’s an art student anxious about his teacher’s opinion of his work, his fellow students’ esteem, and his imminent eviction because of his relationship with his landlord’s 15-year-old daughter. His mind tunnels obsessively into factual details and imaginary attacks (“black and white clothes are racing toward me at high speed, here they come, and the black and white clothes move around me, right up close to me”), suggesting an imminent breakdown. Subsequent chapters feature Lars back in Norway three years later, committed to an asylum; an author not unlike Fosse in 1991 contemplating writing a novel about Lars, whom he calls a distant relative; and, concluding the book, Lars’ sister, Oline, back in his hometown, as Lars seems overtaken by madness while a brother of theirs is on his deathbed. The mood throughout is grim, befitting the title (“melancholia” was Lars’ formal diagnosis), and Fosse routinely swings the narrative around the uglier parts of human behavior—rage, pedophilia, scatology. None of that, though, feels gratuitous, and everything speaks to a larger theme of desperation, about how Lars’ urge to make art evokes our need for wholeness and salvation, even if it’s inevitably just out of reach.
A somber, lyrical meditation on fine art and base emotions.Pub Date: July 28, 2026
ISBN: 9781628976571
Page Count: 450
Publisher: Dalkey Archive
Review Posted Online: May 18, 2026
Kirkus Reviews Issue: June 15, 2026
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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