Hassler's seventh (North of Hope, 1990, etc.) again delivers the goods: this time, Agatha McGee (who first appeared in A Green Journey, 1985) travels to Italy to visit her old friend and pen-pal James, a Catholic priest. Sandwiched between the parts of this European journey is the usual assortment of gently comic portraits of the denizens of Hassler's mythical town of Staggerford, Minnesota. Miss Agatha McGee finds herself at loose ends when St. Isidore's Elementary School closes and she's faced with a sort of late-life crisis. In the novel's first section, we meet Lillian Kite, Agatha's neighbor who will go to Italy with her, along with Sylvester Juba, a wealthy retiree who proposes marriage to Agatha; French Lopat, a shell-shocked Vietnam vet who stays at Agatha's house while she's away; and Lillian's daughter Imogene, who's envious of Agatha and finds a way to compromise the latter's sterling reputation. The story then moves on to Italy, where James is recovering from intestinal cancer. Hassler has a good deal of fun, † la Innocents Abroad, satirizing the tourist trade (Agatha has no reverence for antiquities); Agatha also finds a ``present contentment'' with James. Later, back home in Staggerford, she must undo the damage that Imogene has done her, though she also decides to go to Ireland, where James is on a lecture tour. By the close, Agatha will attain, as James does, a late-life poise and sense of forgiveness that she's able to irradiate the town with. Old-fashioned storytelling at its best. Hassler satirizes both Minnesotan and European types, but his affection for his people is evident in the great good humor that's pervasive.
Pub Date: May 1, 1993
ISBN: 0-345-37707-9
Page Count: 448
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
BOOK REVIEW
BOOK REVIEW
Not a gentle novel but a deeply tender one.
After the brutish family patriarch has a heart attack, the surviving Tuchmans (mostly) gather at his deathbed, each of them struggling to make sense of their past—and come to terms with their present.
“He was an angry man, and he was an ugly man,” the novel begins, “and he was tall, and he was pacing,” and this is how we meet Victor Tuchman in the moments before he collapses. And so the family begins to assemble: Alex, his daughter, a newly divorced lawyer, arrives in New Orleans from the Chicago suburbs; his long-suffering wife, Barbra, tiny and stoic, is already there. His son, Gary, is very notably absent, but Gary’s wife, Twyla—a family outlier, Southern and blonde—is in attendance, with her own family secrets. The novel takes place in one very long day but encompasses the entirety of lifetimes: Barbra’s life before marrying Victor and the life they led after; Alex’s unhappy Connecticut childhood and the growing gulf between her and her criminal father—irreconcilable, even in death. It encompasses Gary’s earnest attempt to build a stable family life, to escape his family through Twyla, and Twyla’s own search for meaning. Even the background characters have stories: the EMS worker who wants to move in with his girlfriend who doesn’t love him; the CVS cashier leaving for school in Atlanta next year. The Tuchmans won’t learn those stories, though, just as they won’t learn each other's, even the shared ones. Victor is the force that brings them together but also the rift that divides them. Alex wants the truth about her father, and Barbra won’t tell her; Gary wants the truth about his disintegrating marriage, and Twyla can’t explain. Prickly and unsentimental, but never quite hopeless, Attenberg (All Grown Up, 2017, etc.), poet laureate of difficult families, captures the relentlessly lonely beauty of being alive.
Not a gentle novel but a deeply tender one.Pub Date: Oct. 22, 2019
ISBN: 978-0-544-82425-6
Page Count: 304
Publisher: Houghton Mifflin Harcourt
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An interesting premise imperfectly executed.
A Jewish trapeze artist and a Dutch unwed mother bond, after much aerial practice, as the circus comes to Nazi-occupied France.
Ingrid grew up in a Jewish circus family in Darmstadt, Germany. In 1934, she marries Erich, a German officer, and settles in Berlin. In 1942, as the war and Holocaust escalate, Erich is forced to divorce Ingrid. She returns to Darmstadt to find that her family has disappeared. A rival German circus clan, led by its patriarch, Herr Neuhoff, takes her in, giving her a stage name, Astrid, and forged Aryan papers. As she rehearses for the circus’ coming French tour, she once again experiences the freedom of an accomplished aerialist, even as her age, late 20s, catches up with her. The point of view shifts (and will alternate throughout) to Noa, a Dutch teenager thrown out by her formerly loving father when she gets pregnant by a German soldier. After leaving the German unwed mothers’ home where her infant has been taken away, either for the Reich’s Lebensborn adoption program or a worse fate, Noa finds work sweeping a train station. When she comes upon a boxcar full of dead or dying infants, she impulsively grabs one who resembles her own child, later naming him Theo. By chance, Noa and Theo are also rescued by Neuhoff, who offers her refuge in the circus, provided she can learn the trapeze. The tour begins with a stop in Thiers, France. Astrid is still leery of her new apprentice, but Noa catches on quickly and soon must replace Astrid in the act due to the risk that a Nazi spectator might recognize her. Noa falls in love with the mayor’s son, Luc, who Astrid suspects is a collaborator. Astrid’s Russian lover, Peter, a clown, tempts fate with a goose-stepping satire routine, and soon the circus will afford little protection to anybody. The diction seems too contemporary for the period, and the degree of danger the characters are in is more often summarized than demonstrated.
An interesting premise imperfectly executed.Pub Date: Feb. 28, 2017
ISBN: 978-0-7783-1981-8
Page Count: 368
Publisher: Harlequin MIRA
Review Posted Online: Oct. 18, 2016
Kirkus Reviews Issue: Nov. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
