Hassler (Emeritus, St. John’s Univ., Minnesota) gives readers an over-the-shoulder glimpse at the creative process, self-doubt, and elation that accompanied the first of his nine novels, Staggerford (1977). In 1975, with six short stories having brought 85 rejection slips, a restless Hassler requested a one-year sabbatical from teaching English at a community college in Brainerd, Minnesota, in order to realize his dream of writing a novel. The result was Staggerford, a tragicomedy about a high school teacher that has now gone through 15 paperback printings. Despite his success, however, Hassler presumes too much in expecting his loyal following to snatch up what is essentially grist for a luncheon speech or a magazine article. Instead of providing glimpses of the embryonic ideas, structures, themes, and descriptions that crop up in the journals of John Cheever or F. Scott Fitzgerald, these journal entries sound already worked over for publication. Hassler does show how writers, in tenaciously grasping general principles of the craft, can still flounder. In fleshing out —The Bonewoman,— for example, he remarks that he knows how she looks, but not how she sounds: —You need more than one sentence from a person to get a good grasp of her voice, its timbre and tone.— Other entries, less valuable to aspiring writers, catalogue the minutiae of an author’s routine (—I go through a lot of contortions when I write. I jump up from the typewriter and stride around the table. I flit from window to window—). Too often, Hassler stuffs these inventories with autobiographical filler, reflecting on his lonely sojourns in an isolated cabin and the reactions of family and friends to his crazed, but ultimately triumphant, pursuit of an impossible dream. When he focuses on the writer’s craft, Hassler can be wonderfully revealing. But the rest of this could have been saved for the family album.
Pub Date: Dec. 1, 1999
ISBN: 0-345-43288-6
Page Count: 112
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2000
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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