A shimmering lesson about the vitality of human relationships shines through Stefánsson’s grim and inspiring tale.
A moving story of loss and courage told in prose as crisp and clear as the Icelandic landscape where it takes place.
“There is almost nothing as beautiful as the sea on good days, or clear nights, when it dreams and the gleam of the moon is its dream,” says the narrator in Stefánsson’s revelatory novel, newly translated from Icelandic by Roughton. Don’t let those poetic words fool you. For the fishermen of an unnamed Icelandic village many miles from Reykjavík, the sea gives them their lives—and can also take them away. Stefánsson follows a character known only as “the boy” and his friend Bár∂ur, two young fishermen who are part of the crew of a small six-person boat. When an icy gale overtakes them on a voyage, Bár∂ur realizes he’s made a fatal mistake. A young poet who fills women, especially his boat captain’s wife, with romantic longing, he was so absorbed in Paradise Lost that he forgot to bring his waterproof. Stefánsson renders the scene of the snowstorm and Bár∂ur freezing to death with a clarity and eye for detail worthy of Conrad. Numb with grief, the boy—who lost his entire family years ago and now his closest friend—later leaves the fishing huts with one goal in mind: to return the book to the man who loaned it to Bár∂ur and then kill himself. Such plot simplicity can be found in many of Stefánsson’s books, including the recently translated Your Absence Is Darkness (2024), and this approach enables him to dive deep, like the cod “that have swum the seas for 120 million years,” into philosophical questions about life and death. Stefánsson writes like an epic poet of old about the price the natural world exacts on humans, but he’s not without sympathy or an ability to find affirming qualities in difficult situations. The logic of the boy’s simple decision to die—“before him is utter uncertainty…kill himself, then all the uncertainty is behind him”—is unexpectedly challenged by those he meets when he returns the book. The boy knows the world is full of tragedy, but there’s also much tenderness and warmth, just like the hot coffee and buttered rye bread waiting when someone comes in from the cold.
A shimmering lesson about the vitality of human relationships shines through Stefánsson’s grim and inspiring tale.Pub Date: Feb. 4, 2025
ISBN: 9781771966511
Page Count: 216
Publisher: Biblioasis
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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