by Jon Krakauer ‧ RELEASE DATE: July 15, 2003
Krakauer lays the portent on beautifully, building his tales carefully from the ground up until they irresistibly, spookily...
The jarring story of a double murder committed by fundamentalist Mormons, told with raw narrative force and tight focus.
Yet this is far more than just the retelling of a grisly murder, for Krakauer (Into Thin Air, 1997) would like to know what was going on in the heads of the men, Dan and Ron Lafferty, when they killed Brenda Lafferty and her 15-month-old daughter Erica (who happened to be their sister-in-law and niece, respectively), and why Dan, in particular, could be so equi-poised when talking of the event as to display an utter lack of remorse. Finding out requires an extended journey through the world of Mormonism, its history and schisms, and by extension the history of its expansion over the western half of the country. Fundamentalist Mormons differ from mainstream Latter-day Saints in many ways, but their practice of polygamy, notions of blood atonement (revenge), and belief in the importance of personal revelation—their listening to that “still small voice” of God, once a hallmark of Joseph Smith’s religion, until he realized it would compromise his authority in matters of church doctrine—made them outlaws in the eyes of the establishment Mormons. Dan’s “yearning to return to the mythical order and perfection of the original church,” one that had been corrupted by the church hierarchy for years now, led him to fundamentalism, which in turn led him to believe his brother Ron’s revelations: that Brenda and Erica must die for the good of the Lord’s work (that Brenda encouraged Ron’s wife to leave him may have played, let’s say, a small role in the revelation). Krakauer worms deeply into the Mormon religious experience, its fractures, violence, and fight against the growing power of the central government. At the moment “when religious fanaticism supplants ratiocination,” then “all bets are suddenly off.”
Krakauer lays the portent on beautifully, building his tales carefully from the ground up until they irresistibly, spookily combust.Pub Date: July 15, 2003
ISBN: 0-385-50951-0
Page Count: 320
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2003
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BOOK TO SCREEN
BOOK TO SCREEN
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by C.S. Lewis ‧ RELEASE DATE: June 15, 1958
Internationally renowned because of his earlier books, among them tape Letters, Surprised by Joy, Mere Christianity, C. S. Lewis making religion provoking, memorable and delightful is still more latest Reflections on the Psalms. Though he protests that he writes learned about things in which he is unlearned himself, the reader is likely thank God for his wise ignorance. Here especially he throws a clear lightly or not, on many of the difficult psalms, such as those which abound with and cursing, and a self-centeredness which seems to assume' that God must be side of the psalmist. These things, which make some psalm singers pre not there, have a right and proper place, as Mr. Lewis shows us. They of Psalms more precious still. Many readers owe it to themselves to read flections if only to learn this hard but simple lesson. Urge everyone to book.
Pub Date: June 15, 1958
ISBN: 015676248X
Page Count: 166
Publisher: N/A
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1958
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