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ARTHUR CONAN DOYLE

A LIFE IN LETTERS

No major revelations or strong stylistic appeal, but an affecting self-portrait of a plainspoken, good-natured Englishman...

A triple-decker helping of hitherto unpublished letters, mostly to his mother, by the man who hated to be known as the creator of Sherlock Holmes.

Conan Doyle (1859–1930) led a life more varied and eventful than any of his fictional heroes. Trained as a physician, he struggled for years toward literary success before achieving it overnight in 1891 with the Strand’s publication of “A Scandal in Bohemia.” Apart from producing a great deal of other writing—humor, fantasy, science fiction and the historical novels he hoped would be his most enduring legacy—he married twice, stood twice for the Parliament, was knighted for his defense of England in the Boer War, lost several close relatives in World War I and publicly embraced spiritualism in the last decade of his life. No one, however, would consider him a great letter writer. Although the editors have trimmed numberless accounts of his health and finances, many more remain, along with sales figures for his books and details of his public lectures. Occasionally Doyle’s invincibly prosaic style is eloquent. More often, the letters glow with the deeply rooted good nature and good sense of Holmes’s amanuensis, Dr. Watson, whose personality, on the basis of the evidence here, owed a great deal to his creator’s. Doyle’s letters to his mother are always affectionate but never intimate. Yet she clearly offered him the ideal audience for his reflections—after she died in 1920, no correspondent took her place, and the editors gloss over his final years in a few pages.

No major revelations or strong stylistic appeal, but an affecting self-portrait of a plainspoken, good-natured Englishman whose type has passed into history.

Pub Date: Nov. 1, 2007

ISBN: 978-1-59420-135-6

Page Count: 608

Publisher: Penguin Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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