Next book

VIEWFINDER

A MEMOIR OF SEEING AND BEING SEEN

Entertaining insights from a unique film industry insider.

A filmmaker looks back at his life, from his time growing up in Silicon Valley through his direction of Crazy Rich Asians and the forthcoming film version of Wicked.

Chu, a hardworking and clearly cheerful (“I [don't] have dark and brooding in me”) director and screenwriter, is the youngest of five children in a family of Taiwanese immigrants, and his parents built and still run a well-known restaurant in Los Altos. With occasional inspirational and practical asides to readers, whether they're aspiring filmmakers or not, the author, writing with McCarter, details a childhood spent scrabbling together digital film equipment—often discarded by the patrons of his parents' restaurant—and working on elaborate projects with his friends. During his years at the University of Southern California, Chu cultivated a passion for freewheeling musical extravaganzas, and though he didn’t always fit in, he won multiple awards. The following years included a stint as a wunderkind, during which he was temporarily taken up as a project by Steven Spielberg, the lows of unemployment and “development hell” after he was fired from his first project, many years of working on sequels, from Step Up 2 to G.I. Joe: Retaliation, and filming two Justin Bieber live concert films. As he recounts, Chu really came into his own with Crazy Rich Asians, the first full-length movie to allow him to explore his heritage, and In the Heights, which gave him a chance to do the kind of musical he had always longed to produce. Occasionally introspective, as he examines why his life and work sometimes seemed to work and sometimes didn't, and always down to earth, the author is a reliable guide through many of the less-glamorous aspects of being a director.

Entertaining insights from a unique film industry insider.

Pub Date: July 23, 2024

ISBN: 9780593448946

Page Count: 320

Publisher: Random House

Review Posted Online: May 4, 2024

Kirkus Reviews Issue: June 1, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 667


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Awards & Accolades

Likes

  • Readers Vote
  • 667


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

Next book

ONE HELLUVA RIDE

A substantive, dishy, entertaining glimpse into Hollywood royalty.

The Oscar-winning actor and producer opens up about filmmaking, sex, drugs, and escaping his father’s shadow.

Despite its casual, just-shooting-the-breeze title, Douglas’ memoir is detailed and precision-engineered to entertain; as a filmmaker who won his first Oscar as a producer (for 1975’s One Flew Over the Cuckoo’s Nest), he knows a successful story needs clarity and conflict to work. The son of screen legend Kirk Douglas, he was well-acquainted with celebrity at an early age; witnessing his parents’ divorce, he spent much of his youth acting out. (He paid for college by selling weed by the suitcase-load.) After years of stalls and failures, he broke through on TV with the ’70s cop show The Streets of San Francisco. But small-screen work (along with his nepo-baby status) made breaking into big-screen roles harder until 1984’s Romancing the Stone made him a star and 1987’s Wall Street earned him a second Oscar. Douglas is candid about his industry struggles—like endless budget fights and betraying his father, who was promised the lead in Cuckoo’s Nest—and his reputation as a lothario. (Though married, he had an on-set affair with Kathleen Turner during Stone.) He’s also open about his alcohol and cocaine abuse, leading to a rehab stint, echoed in his son Cameron’s own struggles with addiction and recovery. He’s comfortable discussing controversies—the LGBTQ+ community’s protests of 1992’s Basic Instinct, his proto-MAGA character in 1993’s Falling Down—and plainly keeps an enemies list. But this story arc leaves him triumphant, with a loving wife (Catherine Zeta-Jones), his family, his health (after a cancer scare), and a late-career Emmy for playing Liberace in Behind the Candelabra (2013).

A substantive, dishy, entertaining glimpse into Hollywood royalty.

Pub Date: Oct. 6, 2026

ISBN: 9781538782224

Page Count: 496

Publisher: Grand Central Publishing

Review Posted Online: Oct. 6, 2026

Kirkus Reviews Issue: Nov. 1, 2026

Close Quickview