A frank and funny coming-of-age story with a rousing soundtrack.
In this music-powered story, a young man sets out to reclaim his prized record collection after pawning it during a period of drug-fueled indiscretion.
The result of a teenage pregnancy in 1970, the protagonist is given up for adoption as a newborn and raised by a terribly uptight mother and a much more lackadaisical father in Birmingham, England. Thomas Luke Joyce isn’t terribly ambitious or clever, but when he buys his first single at the age of 13—The Style Council’s “Speak Like a Child”—he finds a reason for being. Throughout the 1980s, Tom amasses a massive collection of vinyl from the likes of The Cure, New Order, and The Smiths, working for his accountant father solely to make enough money to buy more records. But when his friend Gary introduces him to rave culture, everything changes. Despite hating the “rubbish” music with every fiber of his being, Tom finds himself spending every Friday high on Ecstasy, dancing until dawn. Soon, he starts selling his beloved records to fund his new lifestyle. But when one night out goes awry thanks to a tangle with some small-time drug dealers, Tom decides to go straight and starts working full-time so that he can rebuild his collection record by record. Yet his concern for his old friend Gary, still caught up in that troubled, drug-addled world, throws another complication into his efforts to lead a simpler life. Fans of Nick Hornby’s English-accented musings on music, obsession, and growing up will find much to love about Reeves’ debut novel. Tom is an insanely likable Everyman—he might not be an intellectual, but his smart-alecky sense of humor will endear him to most readers, especially when he spouts such gems as: “But then other things had positive names but weren’t always good. Take heroin, for instance, the name for a heroic lady but also something that makes you look like Gordon’s wife.” While the madcap climax is a bit too absurd and involves too many well-placed coincidences to be believable, it doesn’t stop this story from being enjoyable down to the last syllable.
A frank and funny coming-of-age story with a rousing soundtrack.Pub Date: Dec. 16, 2015
ISBN: 978-1-5049-9334-0
Page Count: 232
Publisher: AuthorHouse
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: June 1, 2016
Review Program: Kirkus Indie
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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