by Jon Scieszka & illustrated by Adam McCauley ‧ RELEASE DATE: Oct. 1, 2000
Never ones to learn from past mistakes, Joe, Sam, and Fred, collectively the Time Warp Trio, again horse around until they knock open The Book and are whisked away to another era. This time it’s ancient Rome, and a gladiator school run by one (don’t you dare laugh) Dorkius. Losing no time setting off a food fight in the gladiatorial lunchroom and getting on the wrong sides of aptly named Horridus and Brutus, off they hie to the newly built Colosseum, to woo the crowds with some WWF-style razzle-dazzle, lead their hulking nemeses on a merry chase through the streets of Rome, and reclaim The Book, their ticket to the present, from a Vestal Virgin. As usual, the tale tumbles along at a frantic clip past cliffhangers, wisecracks, and even some subliminal tidbits of facts, the last capped by a handy list of English/Latin phrases, such as “Which way to the vomitorium? / Qua via itur ad vomitorium?” Even with a new illustrator slipping into Lane Smith’s accustomed place, the Time Warp Trio continues to rule the “skinny book” shelves with just the right hook for that elusive not-quite-avid-reader audience that loves them. Illustrations not seen. (Fiction. 9-11)
Pub Date: Oct. 1, 2000
ISBN: 0-670-89340-4
Page Count: 80
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2000
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by James Patterson & Chris Grabenstein ; illustrated by Anuki López ‧ RELEASE DATE: April 1, 2019
A waggish tale with a serious (and timely) theme.
An age-old rivalry is reluctantly put aside when two young vacationers are lost in the wilderness.
Anthropomorphic—in body if definitely not behavior—Dogg Scout Oscar and pampered Molly Hissleton stray from their separate camps, meet by chance in a trackless magic forest, and almost immediately recognize that their only chance of survival, distasteful as the notion may be, lies in calling a truce. Patterson and Grabenstein really work the notion here that cooperation is better than prejudice founded on ignorance and habit, interspersing explicit exchanges on the topic while casting the squabbling pair with complementary abilities that come out as they face challenges ranging from finding food to escaping such predators as a mountain lion and a pack of vicious “weaselboars.” By the time they cross a wide river (on a raft steered by “Old Jim,” an otter whose homespun utterances are generally cribbed from Mark Twain—an uneasy reference) back to civilization, the two are BFFs. But can that friendship survive the return, with all the social and familial pressures to resume the old enmity? A climactic cage-match–style confrontation before a worked-up multispecies audience provides the answer. In the illustrations (not seen in finished form) López plops wide-eyed animal heads atop clothed, more or less human forms and adds dialogue balloons for punchlines.
A waggish tale with a serious (and timely) theme. (Fantasy. 9-11)Pub Date: April 1, 2019
ISBN: 978-0-316-41156-1
Page Count: 320
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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by James Patterson ; adapted by Adam Rau ; illustrated by Phillip Tajall ; color by Ray Kao
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by James Patterson & Keir Graff ; illustrated by Alan Brown
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by Tony DiTerlizzi & illustrated by Tony DiTerlizzi ‧ RELEASE DATE: Aug. 5, 2008
Reports of children requesting rewrites of The Reluctant Dragon are rare at best, but this new version may be pleasing to young or adult readers less attuned to the pleasures of literary period pieces. Along with modernizing the language—“Hmf! This Beowulf fellow had a severe anger management problem”—DiTerlizzi dials down the original’s violence. The red-blooded Boy is transformed into a pacifistic bunny named Kenny, St. George is just George the badger, a retired knight who owns a bookstore, and there is no actual spearing (or, for that matter, references to the annoyed knight’s “Oriental language”) in the climactic show-fight with the friendly, crème-brulée-loving dragon Grahame. In look and spirit, the author’s finely detailed drawings of animals in human dress are more in the style of Lynn Munsinger than, for instance, Ernest Shepard or Michael Hague. They do, however, nicely reflect the bright, informal tone of the text. A readable, if denatured, rendition of a faded classic. (Fantasy. 9-11)
Pub Date: Aug. 5, 2008
ISBN: 978-1-4169-3977-1
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2008
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