A child in a red hoodie and a man on a cellphone navigate an urban landscape, the child picking flowers from cracks and crannies along the way.
Best known for his nonsense verse, Lawson here provides a poignant, wordless storyline, interpreted by Smith in sequential panels. The opening spread presents the child and (probably) dad walking in a gray urban neighborhood. The child’s hoodie is the only spot of color against the gray wash—except for the dandelions growing next to a sidewalk tree, begging to be picked. The rest of their walk proceeds in similar fashion, occasional hints of color (a fruit stand, glass bottles in a window) joining the child and the flowers she (judging by the haircut) plucks from cracks in the concrete. Smith’s control of both color and perspective is superb, supporting a beautifully nuanced emotional tone. Though the streets are gray, they are not hostile, and though dad is on the cellphone, he also holds the child’s hand and never exhibits impatience as she stops. Once the child has collected a bouquet, she shares it, placing a few flowers on a dead bird, next to a man sleeping on a bench, in a friendly dog’s collar. As child and dad draw closer to home, color spreads across the pages; there is no narrative climax beyond readers’ sharing of the child’s quiet sense of wonder.
Bracketed by beautiful endpapers, this ode to everyday beauty sings sweetly. (Picture book. 4-7)