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A PAST WITHOUT PICTURES

A quicksilver family reckoning whose epiphanies arrive in the form of felonies.

An LAPD detective leaves after her first day in her new position to look into a much more personal case.

Maria Cole spent nine years as a street cop before her long-sought promotion put her on the scene just in time to kill a teenage murder suspect in self-defense. At exactly the same moment that she shoots Felix Sotto, her estranged father, Billy Cole, is apparently killed in a robbery in Fair Port, Alabama. Shocked by this uncanny coincidence, Maria flies east even though she’s avoided her father for the past 27 years. She instantly ticks off Police Chief Karl Rawlins by asking sharp questions and goes right on challenging him even after the police arrest Billy’s fellow Alcoholics Anonymous member Dray Forrest for the murder and he all but confesses by hanging himself in his cell. Maria’s discovery that The Gallery, the restaurant Billy managed, was destroyed last month in a fire along with virtually all the paintings he’d been working on for years, makes her resolve to track down the villains, who definitely number more than one. Early on, in fact, she becomes convinced that Billy’s death is part of a vastly broader and deeper pattern of crime and corruption. To her surprise, Maria realizes that “twenty-four hours in his world and she had more empathy” for her alcoholic father than she’d ever experienced before. She also learns that southern Alabama can be just as violent and treacherous as the City of Angels.

A quicksilver family reckoning whose epiphanies arrive in the form of felonies.

Pub Date: Sept. 1, 2026

ISBN: 9781613168059

Page Count: 176

Publisher: Mysterious Press

Review Posted Online: June 1, 2026

Kirkus Reviews Issue: July 1, 2026

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MURDER TAKES A VACATION

Another gem from Lippman, with a heroine who elevates being ordinary to an art form.

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An ordinary woman finds extraordinary adventures on a river cruise on the Seine.

Muriel Blossom acknowledges that she’s a “no-frills” person, a trait that served her well when doing surveillance for Baltimore PI Tess Monaghan. When she gets an unexpected upgrade on her British Airways flight to Paris, she finds herself not only in business class, but on the other side of the looking glass. Allan Turner, a handsome stranger, befriends her in the Chesapeake Lounge, which her upgrade allows her to access. She misses her connection at Heathrow because of the weather, so he invites her to share his luxurious suite in a London hotel, paid for, he insists, by his firm. Then he sends her off on the Eurostar train to reach Paris via the Chunnel in time for her ship’s departure. Once in Paris, she meets another stranger, younger but equally attentive. Danny Johnson takes her to a friend’s atelier in the Marais where the plus-sized Muriel can find the fashionable clothing she deserves. A mysterious man in a bellman uniform knocks on her hotel-room door and invites her to leave her luggage in the hallway so it can be transferred overnight to her ship, but of course she realizes that’s nonsense. She also receives the news that Allan died in a fall from his balcony the night after she left London. When Danny turns up on her cruise, she knows something’s off, but she can’t put together the pieces. That’s because Lippman is unrivaled in her ability to lay out clues in a way that makes them seem not only mysterious, but downright surreal. Only at the end does everything fit together so naturally that it all seems blazingly obvious. Like Muriel, who’s patient and sensible to the end, you’ll just have to wait.

Another gem from Lippman, with a heroine who elevates being ordinary to an art form.

Pub Date: June 17, 2025

ISBN: 9780062998101

Page Count: 272

Publisher: Morrow/HarperCollins

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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