As heartbreaking as bleak midwinter—and as hopeful as early spring.

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SWEEP

THE STORY OF A GIRL AND HER MONSTER

A young chimney sweep gathers an unusual family around her in this bittersweet historical fantasy of love and loss.

Eleven-year-old Nan Sparrow’s only legacies from the Sweep, her beloved mentor, are his hat and a strange lump of charcoal. After her fiery near death lets her escape her abusive master’s control, this “char” awakens into a protective golem she names Charlie. Alas, Victorian London, however magical, is not kind to “climbing boys” of any gender—nor to monsters, nor to any of the odd lot of outcasts that Nan befriends. Auxier (The Night Gardener, 2014, etc.) turns his imaginative whimsy and lyrical prose to a real historical horror; while never gratuitous, he does not shy away from the appalling conditions under which children labor, nor does he ignore the sacrifices and struggle to abolish the practice. The inclusion of two (possibly three) Jewish characters suggests the intertwining of anti-Semitism and class exploitation, while references to such authors as William Blake, Daniel Defoe, and Mary Shelley demonstrate how literature could fire imaginations and highlight oppression. But the vivid characters—tough, whip-smart Nan; lovable, childlike Charlie; their engaging companions; even the marvelously Dickensian villains—prevent the story from becoming either dry history lesson or political screed. As Nan painfully, tentatively, haltingly permits love to make her vulnerable, she also gains strength and purpose: “We are saved by saving others.”

As heartbreaking as bleak midwinter—and as hopeful as early spring. (author’s note, historical note) (Historical fantasy. 8-12)

Pub Date: Sept. 25, 2018

ISBN: 978-1-4197-3140-2

Page Count: 368

Publisher: Amulet/Abrams

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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With Ivan’s movie out this year from Disney, expect great interest—it will be richly rewarded.

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THE ONE AND ONLY BOB

Tiny, sassy Bob the dog, friend of The One and Only Ivan (2012), returns to tell his tale.

Wisecracking Bob, who is a little bit Chihuahua among other things, now lives with his girl, Julia, and her parents. Happily, her father works at Wildworld Zoological Park and Sanctuary, the zoo where Bob’s two best friends, Ivan the gorilla and Ruby the elephant, live, so Bob gets to visit and catch up with them regularly. Due to an early betrayal, Bob doesn’t trust humans (most humans are good only for their thumbs); he fears he’s going soft living with Julia, and he’s certain he is a Bad Dog—as in “not a good representative of my species.” On a visit to the zoo with a storm threatening, Bob accidentally falls into the gorilla enclosure just as a tornado strikes. So that’s what it’s like to fly. In the storm’s aftermath, Bob proves to everyone (and finally himself) that there is a big heart in that tiny chest…and a brave one too. With this companion, Applegate picks up where her Newbery Medal winner left off, and fans will be overjoyed to ride along in the head of lovable, self-deprecating Bob on his storm-tossed adventure. His wry doggy observations and attitude are pitch perfect (augmented by the canine glossary and Castelao’s picture dictionary of dog postures found in the frontmatter). Gorilla Ivan described Julia as having straight, black hair in the previous title, and Castelao's illustrations in that volume showed her as pale-skinned. (Finished art not available for review.)

With Ivan’s movie out this year from Disney, expect great interest—it will be richly rewarded. (afterword) (Fiction. 8-12)

Pub Date: May 5, 2020

ISBN: 978-0-06-299131-7

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 25, 2020

Kirkus Reviews Issue: April 15, 2020

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A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...

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The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.

Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.

A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)

Pub Date: April 1, 1989

ISBN: 0547577095

Page Count: 156

Publisher: Houghton Mifflin

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: March 15, 1989

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