SWEEP

THE STORY OF A GIRL AND HER MONSTER

As heartbreaking as bleak midwinter—and as hopeful as early spring.

A young chimney sweep gathers an unusual family around her in this bittersweet historical fantasy of love and loss.

Eleven-year-old Nan Sparrow’s only legacies from the Sweep, her beloved mentor, are his hat and a strange lump of charcoal. After her fiery near death lets her escape her abusive master’s control, this “char” awakens into a protective golem she names Charlie. Alas, Victorian London, however magical, is not kind to “climbing boys” of any gender—nor to monsters, nor to any of the odd lot of outcasts that Nan befriends. Auxier (The Night Gardener, 2014, etc.) turns his imaginative whimsy and lyrical prose to a real historical horror; while never gratuitous, he does not shy away from the appalling conditions under which children labor, nor does he ignore the sacrifices and struggle to abolish the practice. The inclusion of two (possibly three) Jewish characters suggests the intertwining of anti-Semitism and class exploitation, while references to such authors as William Blake, Daniel Defoe, and Mary Shelley demonstrate how literature could fire imaginations and highlight oppression. But the vivid characters—tough, whip-smart Nan; lovable, childlike Charlie; their engaging companions; even the marvelously Dickensian villains—prevent the story from becoming either dry history lesson or political screed. As Nan painfully, tentatively, haltingly permits love to make her vulnerable, she also gains strength and purpose: “We are saved by saving others.”

As heartbreaking as bleak midwinter—and as hopeful as early spring. (author’s note, historical note) (Historical fantasy. 8-12)

Pub Date: Sept. 25, 2018

ISBN: 978-1-4197-3140-2

Page Count: 368

Publisher: Amulet/Abrams

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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