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TROUBLE WITH TATTLE-TAILS

From the Fabled Stables series , Vol. 2

Funny, charming, and bighearted.

In the second Fabled Stables book, Auggie must rescue a one-of-a-kind creature—then rescue a town from it.

Auggie loves caring for the creatures of the Fabled Stables, doing everything he can to make them happy. However, he struggles to figure out the best way to do that for the Unfeeling Brute, as she’s a big, caterpillarlike creature lacking a mouth, eyes, and other features. As he ponders his problem, suddenly the stables magically expand, indicating a new tenant needs to be rescued: It’s the Tattle-Tail. Auggie and his best friends, Willa the Wisp and Fen, a Stick-in-the-Mud, head off to Rainbow’s End and find two crises afoot. First, someone’s stolen the village’s magical pot of gold; more pressingly, everyone in town sports colorful, fluffy, sentient tails that have recently attached themselves to the populace and are ratting out all of their embarrassing secrets and misdeeds. The tattling is so silly and the tails illustrated so joyfully that they’ll delight readers, especially when Auggie’s attempts to free the town backfire in funny ways. Another running joke concerns beeswax stuck in Fen’s ears, causing him to comically mishear other characters. In between misunderstandings, Fen solves the robbery—unmasking the thieves as foes faced in the series opener—and inspires Auggie’s solution to the Tattle-Tail problem, which leads to a happy ending for the Brute as well. Auggie’s depicted as beige; Rainbow’s End has background diversity.

Funny, charming, and bighearted. (Fantasy. 5-9)

Pub Date: May 18, 2021

ISBN: 978-1-4197-4272-9

Page Count: 96

Publisher: Amulet/Abrams

Review Posted Online: March 30, 2021

Kirkus Reviews Issue: April 15, 2021

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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