An epic pieced together with rare authenticity.
Carr (Mahler, 1997, etc.) captures a vast sweep of European history as he traces the lives of the legendary German composer and his heirs.
The term Wagnerian elicits a unique musical image of Teutonic vainglory, lust for power and passion that attended both the birth pangs of the modern German nation and its descent into Nazism. The author finds Richard Wagner (1813–83) a testament to genius unaccompanied by character. Wagner, Carr avers, managed to betray or double-cross nearly everyone he had dealings with of any kind, from “Mad” King Ludwig of Bavaria, a long-suffering patron, to his doting second wife Cosima, illegitimate daughter of the composer Franz Lizt. He published a personal diatribe on the Jewish threat to Europe, yet, notes Carr, this strident anti-Semite maintained personal relationships with Jews and treated them no worse than others. Hitler not only worshipped the composer’s music, he befriended Wagner’s family, especially his daughter-in-law Winifred. In March 1933, the Nazis organized a preposterously theatrical “Day of Potsdam” demonstration culminating with a performance of Wagner’s Die Meistersinger that helped cement their electoral victory. Wagner’s martial airs underscored newsreels of German military attacks, and the funeral march from Gotterdammerung droned over Radio Berlin on the day Hitler died. The Bayreuth Festival, a cultural phenomenon since its opening in 1876, kept running all through World War II, thanks to Hitler’s patronage. But in 1945, the Wagner family, not to mention Germany itself, needed rehabilitation. Grandsons Wieland and Wolfgang eventually managed it, however. While Hitler had to pack the house with troops pulled from the frontlines, the typical applicant for Bayreuth tickets today, Carr notes, will spend a decade on the waiting list.
An epic pieced together with rare authenticity.Pub Date: Jan. 1, 2008
ISBN: 978-0-87113-975-7
Page Count: 432
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2007
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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