An audacious, often wickedly funny meditation on the vexed precincts of sleep and sex, following the adventures of four characters whose wayward paths repeatedly intertwine, by the author of The Winshaw Legacy (1995). Ashdown, an elderly mansion on the English coast, is serving, in 1983, as a residence for university students. Bright, insecure Sarah lives there, trapped in a relationship with manipulative Gregory, and increasingly drawn to fragile, troubled Robert. Terry, obsessed with cinema, shares with Sarah a sleep disorder: Sarah falls into fugue-like states in which her dreams become more convincing than reality; Terry, fueled by coffee and the drive to succeed, finds it increasingly difficult to sleep at all. Gregory dumps Sarah, and goes off to London to make his way in medical research. Robert disappears, and is later rumored to be dead. Thirteen years later, Terry and Gregory end up back at Ashdown. It has now become the site of Gregory's controversial sleep research clinic. Terry, a failed writer, returns as a patient, having, he claims, been unable to sleep for most of the past decade. Convinced that humanity is tyrannized by sleep, Gregory is secretly searching for a way to teach humans to do without it, experimenting on rats, dogs, and, finally, peoplewith devastating results. Sarah, having tried both marriage and a long lesbian affair, still pines for Robert. The hectic plot provides Coe with plenty of opportunities to satirize British medicine and the increasingly harsh, hustling nature of British society, as well as the confusions of modern love. Weaving through the story, offering a variety of metaphors for creativity and sex, is the dark river of sleep. Gregory gets a grisly, appropriate comeuppance, and an astonishingly transformed Robert reunites with Sarah in one of the strangest, and most moving, encounters in recent fiction. In all: a droll, ingenious novel, its satire nicely leavened by true romance.
Pub Date: March 1, 1998
ISBN: 0-375-40093-1
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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