by Jonathan D. Moreno ‧ RELEASE DATE: Oct. 14, 2014
An adept introduction to an innovative thinker whose dramatic flair and sometimes-messianic personality tended to overshadow...
The son of the psychiatrist who founded psychodrama examines the life of his “famous, eccentric, and controversial” father and traces the evolution and impact of his ideas.
For clarity, Moreno (Philosophy and Medical Ethics/Univ. of Pennsylvania; The Body Politic: The Battle Over Science in America, 2011, etc.) refers to his subject as J.L. throughout the book. Born in Bucharest in 1889, J.L. rejected Freudian theory while still a medical student. Early in his career, he developed a form of psychotherapy he called psychodrama, in which the stage becomes a therapeutic platform. From the 1940s to the 1970s, public psychodrama sessions were a feature of Manhattan’s Moreno Institute. Recognized as one of the leading social scientists in the United States, J.L. believed that spontaneity and creativity are driving forces in human nature and that love and mutual sharing are powerful principles. In J.L.’s view, improvisation and spontaneity come together in psychodrama, providing a way for members to help each other. Moreno shows the influence of his father’s ideas in the “happenings” of the 1960s and the group-dynamic experiments of the human potential movement. That J.L.’s ideas percolated through popular culture, though in watered-down form, is aptly demonstrated in the author’s discussion of the hit movie Bob & Carol & Ted & Alice (1969), in which the characters experience an Esalen-like encounter, and of Clint Eastwood’s 2012 empty-chair role-playing performance at the Republican convention, a technique rooted in improvisational theater that J.L. used in Vienna a century earlier. J.L.’s insights into group relationships—he created the science of sociometry—predates by decades the success of social networks such as Twitter and Facebook. The attention-loving J.L. understood the human impulse for self-expression and the desire to belong to a group.
An adept introduction to an innovative thinker whose dramatic flair and sometimes-messianic personality tended to overshadow his accomplishments.Pub Date: Oct. 14, 2014
ISBN: 978-1-934137-84-0
Page Count: 304
Publisher: Bellevue Literary Press
Review Posted Online: Aug. 12, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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