by Jonathan Gill ‧ RELEASE DATE: Feb. 1, 2011
Comprehensive and compassionate—an essential text of American history and culture.
Holland Times arts critic Gill (American History and Literature/Manhattan School of Music) charts the astonishing transformations, upheavals, revolutions and continual renaissances that have affected the uptown terrain and population for hundreds of years.
In 1609, Henry Hudson glimpsed the Manhattan shoreline and exchanged fire with the local Indians, thus commencing the cultural clashes that continue in the present. The author traces the story of the area from its geological history to the current times of Al Sharpton (who fares poorly here). In the early chapters, Gill summarizes the stories of the Algonquin people and the original Dutch settlers, who laid out their New Haarlem in the mid 17th century. Then the British decided they owned the island, took over and fecklessly renamed New Haarlem “Lancaster,” a name that didn’t last long. The author follows the colonial history, the significance of the region in the American Revolution (Washington won a key victory at Harlem Heights) and the transformations wrought by the New York and Harlem Railroad and commerce (and greed). As Gill notes, Harlem was for many decades a center of recreation for downtowners, featuring plentiful forests and beautiful geological formations. Soon, it was human entertainment—music, drama, dancing, art and the allures of alcohol and assorted illicit behaviors—that became the principal attraction. Mansions rose, and the wealthy partied hard. Then Harlem began to attract a wide assortment of minorities—Latinos, African-Americans, Jews from Eastern Europe, Italians. By the early 19th century, more and more blacks were calling Harlem home, and as the economy cracked, racial fireworks commenced, raged throughout the Civil War and far beyond. As Gill writes, however, the area has long been home to an amazing assortment of talented individuals—politicians (Marcus Garvey), athletes (Lew Alcindor), writers (Langston Hughes), musicians and performers (Paul Robeson), intellectuals (W.E.B. Du Bois) criminals (Casper Holstein).
Comprehensive and compassionate—an essential text of American history and culture.Pub Date: Feb. 1, 2011
ISBN: 978-0-8021-1910-0
Page Count: 496
Publisher: Grove
Review Posted Online: Sept. 27, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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