Former Time journalist Hull’s first novel paints a generic portrait of young love and trench warfare, framed by a bracingly unsentimental depiction of old age. The story moves forward simultaneously on three fronts, all chronicled in the diary of American veteran Patrick Delaney. At age 81, he recalls his experiences as a soldier during WWI, when his best friend, Daniel, died horribly after an assault on the German lines; and his brief, enchanted affair with Daniel’s lover, Julia, whom he met in France in 1928 while attending the dedication of a memorial monument. The battle scenes are adequate, but contemporary writers who venture into this arena must suffer comparison to Pat Barker’s breathtaking trilogy (The Ghost Road, 1995, etc.), and Hull falls short in both imaginative empathy and literary skill. Patrick’s account of his liaison with Julia, conducted as his unloved wife and cherished three-year-old son await him in a Paris hotel, fails to convince us that she’s as fabulous as he thinks. However—and this is a big however—the diary’s 1980 portions, chronicling Patrick’s life in a nursing home, have all the specificity and emotional weight the historical segments lack. Compare the bite of —The older I get, the more out of place I feel, like a weekend guest still loitering around the cottage on Sunday night because he’s got no place else to go— with the blandness of —How perfect she looked . . . with the kind of face you instinctively want to touch and kiss.— The lovelorn noodlings of Patrick and Julia aren—t nearly as interesting as the blunt, bitter depiction of physical decay and psychic regret that plague nearly every inhabitant of the Great Oaks Home for Assisted Living. A death scene there would have been a lot more realistic—and challenging—than the phonily romantic one Hull provides. Pretty stale stuff, but those perfectly pitched nursing-home scenes linger in the memory.
Pub Date: Feb. 15, 2000
ISBN: 0-385-33375-7
Page Count: 368
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2000
A smooth blend of suspense and romance. As ever, the author's trademark effortless style keeps a complex plot moving without...
Megaselling Roberts (River's End, 1999, etc.) goes to Napa Valley for the tale of an Italian-American family wine producers rocked by scandal and a series of murders.
Dynasty head Tereza Giambelli knows that her granddaughter Sophia is the only family member capable of running a multimillion-dollar wine business—and no one contradicts La Signora. It's just as well the lovely young woman is still single: Tereza has plans for her. The matriarch has recently married Eli MacMillan, the American founder of another famous wine company. Eli's grandson Tyler knows everything there is to know about producing wine, from the vineyard to the vat. Ruggedly handsome, intelligent and earthy, he's a perfect match for public-relations whiz Sophia—or so thinks Tereza. The two young people begin to work together; Tyler teaches Sophia the fine art of making wine and making love. But other family members hope to claim their share of the Giambelli fortune, and people start dying mysteriously, including Sophia's good-for-nothing father, Tony Avano. Long divorced from long-suffering Pilar Giambelli, Tony led an opulent, self-indulgent life that provides plenty of murder suspects. He might have been killed by the mob, or a jealous mistress, or his spoiled brother-in-law, Tereza's lazy son, who's produced a passel of brats with his foolish Italian wife in the hopes of making Tereza happy. Everyone has a motive, and nothing is what it seems, Sophia discovers, but Tyler stands by her. Then a bottle of tainted merlot kills a company exec. A tragic mishap caused by poisonous plants growing near the vines? Or deliberate product tampering intended to destroy the company? Sophia and Tyler will need to delve even deeper into the convoluted and sometimes unsavory history of the family and its three-generation business.
A smooth blend of suspense and romance. As ever, the author's trademark effortless style keeps a complex plot moving without a hitch.Pub Date: March 19, 2001
ISBN: 0-399-14712-8
Page Count: 432
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
Brilliant.
Combining an unerring instinct for telling detail with the broader brushstrokes you need to tackle issues of culture and politics, Patchett (The Magician’s Assistant, 1997, etc.) creates a remarkably compelling chronicle of a multinational group of the rich and powerful held hostage for months.
An unnamed impoverished South American country hopes to woo business from a rich Japanese industrialist, Mr. Hosokawa, by hosting a birthday party at which his favorite opera singer, Roxane Coss, entertains. Because the president refuses to miss his soap opera, the vice-president hosts the party. An invading band of terrorists, who planned to kidnap the president, find themselves instead with dozens of hostages on their hands. They free the less important men and all the women except Roxane. As the remaining hostages and their captors settle in, Gen, Mr. Hosokawa’s multilingual translator, becomes the group’s communication link, Roxane and her music its unifying heart. Patchett weaves individual histories of the hostages and the not-so-terrifying terrorists within a tapestry of their present life together. The most minor character breathes with life. Each page is dense with incident, the smallest details magnified by the drama of the situation and by the intensity confinement always creates. The outside world recedes as time seems to stop; the boundaries between captive and captor blur. In pellucid prose, Patchett grapples with issues of complexity and moral ambiguity that arise as confinement becomes not only a way of life but also for some, both hostage and hostage-taker, a life preferable to their previous existence. Readers may intellectually reject the author’s willingness to embrace the terrorists’ humanity, but only the hardest heart will not succumb. Conventional romantic love also flowers, between Gen and Carmen, a beguilingly innocent terrorist, between Mr. Hosokawa and Roxane. Even more compelling are the protective, almost familial affections that arise, the small acts of kindness in what is, inevitably, a tragedy.
Brilliant.Pub Date: June 2, 2001
ISBN: 0-06-018873-1
Page Count: 304
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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