Former Time journalist Hull’s first novel paints a generic portrait of young love and trench warfare, framed by a bracingly unsentimental depiction of old age. The story moves forward simultaneously on three fronts, all chronicled in the diary of American veteran Patrick Delaney. At age 81, he recalls his experiences as a soldier during WWI, when his best friend, Daniel, died horribly after an assault on the German lines; and his brief, enchanted affair with Daniel’s lover, Julia, whom he met in France in 1928 while attending the dedication of a memorial monument. The battle scenes are adequate, but contemporary writers who venture into this arena must suffer comparison to Pat Barker’s breathtaking trilogy (The Ghost Road, 1995, etc.), and Hull falls short in both imaginative empathy and literary skill. Patrick’s account of his liaison with Julia, conducted as his unloved wife and cherished three-year-old son await him in a Paris hotel, fails to convince us that she’s as fabulous as he thinks. However—and this is a big however—the diary’s 1980 portions, chronicling Patrick’s life in a nursing home, have all the specificity and emotional weight the historical segments lack. Compare the bite of —The older I get, the more out of place I feel, like a weekend guest still loitering around the cottage on Sunday night because he’s got no place else to go— with the blandness of —How perfect she looked . . . with the kind of face you instinctively want to touch and kiss.— The lovelorn noodlings of Patrick and Julia aren—t nearly as interesting as the blunt, bitter depiction of physical decay and psychic regret that plague nearly every inhabitant of the Great Oaks Home for Assisted Living. A death scene there would have been a lot more realistic—and challenging—than the phonily romantic one Hull provides. Pretty stale stuff, but those perfectly pitched nursing-home scenes linger in the memory.
Pub Date: Feb. 15, 2000
ISBN: 0-385-33375-7
Page Count: 368
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2000
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.
Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.
Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.Pub Date: April 10, 2018
ISBN: 978-1-5011-2801-1
Page Count: 416
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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