A debut novel from the American co-founder of Granta that, appropriating its title from the work by the great Talmudic scholar Maimonides, provides an ingenious if metaphorical twist to the events of 1492. When a strike delays their flight out of Mariposa, Spain, two women—Holland, an English filmmaker; and Hanni, an aging American searching for her family's treasured ``Letters from Esau,'' as well as for a son she hasn't seen since his birth in war-torn Berlin- -find they have the same travel agent, Ben. Ben is the author of a travel book called A Guide for the Perplexed, which offers ``no itineraries, no routes touristique'' but only help for those who no longer know where or how to go. In a series of set pieces, the narrative—interspersed with letters, historical lore, excerpts from the guide—moves back and forth from the 15th century to the present, from Inca kingdoms to Berlin, as the women while away the wait for the delayed flight. They wander from a bordello bar to an adult-movie house, from the home of the mysterious violinist Sandor to the richly symbolic Cave of Esau. On these wanderings, lugging a mysterious trunk Ben has entrusted to Hanni, the two women meet a host of characters, including Holland's long-lost daughter Isabella; a Peruvian descendant of Maimonides; and a British rock band. Connections and coincidences multiply as life histories are told, and family legends of famous Jewish ancestors are recalled. In a climatic scene in the Cave of Esau, from which Esau had sailed with Columbus to found a Jewish nation in the Americas, all is made clear. Destinies are linked, and the real purpose of the centuries of wanderings by Hanni's ancestors is revealed: ``Esau said it best—we are all Jews. Our survival is in our motion.'' Conceptually quite brilliant—but with too many tricks, too many mirrors, and too little really at the center of it. Promising but flawed.
Pub Date: June 1, 1992
ISBN: 0-679-40893-2
Page Count: 336
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1992
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
