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A GUIDE FOR THE PERPLEXED

A debut novel from the American co-founder of Granta that, appropriating its title from the work by the great Talmudic scholar Maimonides, provides an ingenious if metaphorical twist to the events of 1492. When a strike delays their flight out of Mariposa, Spain, two women—Holland, an English filmmaker; and Hanni, an aging American searching for her family's treasured ``Letters from Esau,'' as well as for a son she hasn't seen since his birth in war-torn Berlin- -find they have the same travel agent, Ben. Ben is the author of a travel book called A Guide for the Perplexed, which offers ``no itineraries, no routes touristique'' but only help for those who no longer know where or how to go. In a series of set pieces, the narrative—interspersed with letters, historical lore, excerpts from the guide—moves back and forth from the 15th century to the present, from Inca kingdoms to Berlin, as the women while away the wait for the delayed flight. They wander from a bordello bar to an adult-movie house, from the home of the mysterious violinist Sandor to the richly symbolic Cave of Esau. On these wanderings, lugging a mysterious trunk Ben has entrusted to Hanni, the two women meet a host of characters, including Holland's long-lost daughter Isabella; a Peruvian descendant of Maimonides; and a British rock band. Connections and coincidences multiply as life histories are told, and family legends of famous Jewish ancestors are recalled. In a climatic scene in the Cave of Esau, from which Esau had sailed with Columbus to found a Jewish nation in the Americas, all is made clear. Destinies are linked, and the real purpose of the centuries of wanderings by Hanni's ancestors is revealed: ``Esau said it best—we are all Jews. Our survival is in our motion.'' Conceptually quite brilliant—but with too many tricks, too many mirrors, and too little really at the center of it. Promising but flawed.

Pub Date: June 1, 1992

ISBN: 0-679-40893-2

Page Count: 336

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1992

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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