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SPLISH SPLASH

POP-UP FUN

From the Little Snappers series

Suddenly seeing the shark’s “big grin” may prompt easily startled children to join the final scene’s diverse array of marine...

Smiling sea creatures hiding behind big flaps pop up to play in this gallery for “Little Snappers.”

Intentionally or not, there’s a disparity between the overall tone and the likely audience reaction. Each of the five double-page spreads features a vague clue/question on one side and an almost full-page–sized flap on the opposite that, when lifted, elevates a very simple cartoon rendering of an animal: “Which snippy-snappy animal has seen a shell to grab?” / “Scuttling sideways on the sand, it’s smiley, happy Crab!” (Said crab is in the process of gaily snipping a seashell, and perhaps its unseen resident, in half.) Similarly, a creature opaquely endowed with a “patterned shell” turns out to be a turtle. For a rather disingenuous finale, raising the flap to discover the identity of a “splashy friend with pointy fins” who “wants everyone to play” shoots a toothy shark up toward viewers. Shades of Lewis Carroll’s “How Doth the Little Crocodile.”

Suddenly seeing the shark’s “big grin” may prompt easily startled children to join the final scene’s diverse array of marine life in beating a hasty retreat. The first time through, at least. (Pop-up picture book. 3-5)

Pub Date: March 1, 2016

ISBN: 978-1-58925-259-2

Page Count: 10

Publisher: Tiger Tales

Review Posted Online: March 15, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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HEDGEHOGS DON'T WEAR UNDERWEAR

Sure to have little ones giggling.

Jacques is a hedgehog with a big secret: “I wear real, bona fide underwear.”

Our narrator received a mysterious package one day; an illustration shows a pair of underwear tied to a balloon with a note “from the Universe” floating down into Jacques’ burrow. Hedgehogs don’t wear underwear, however. Will Jacques be shunned? Jacques worries but comes to a decision: “I have to wear them. When I do I feel special.” Determined, Jacques, who’s been invited to a party, makes a dramatic entrance, with undies in hand. Jacques’ declaration (“I WEAR UNDERWEAR”) is met with remarks of dismay, before another hedgehog opens up about similar fears and shows off a pair of cowboy boots. More hedgehogs introduce themselves with their own confessions. The story ends with Jacques unveiling a painting of the underwear in a gallery filled with hedgehogs wearing all sorts of attire. Though the book is simple in plot, characters, and setting, it wins in its balance of bathroom humor, dramatic storytelling, and celebrations of individual expression. French words are peppered throughout, adding to the fun without detracting from the story for those unfamiliar with the language. The cartoonish illustrations brim with fun; Valdez relies heavily on geometric shapes (triangle noses for the hedgehogs; huge circles for their eyes). Details such as speech bubbles and recurring turtle and snake characters contribute to the outlandish humor.

Sure to have little ones giggling. (Picture book. 3-5)

Pub Date: April 1, 2025

ISBN: 9781250814388

Page Count: 40

Publisher: Roaring Brook Press

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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