An impressive sequel about an aquatic journey that stands on its own while building on the first trip.
London (Foggy Goes to the Library, 2015, etc.) resumes the middle-grade adventures of his boating enthusiasts, this time along the Pacific Northwest coast.
Last year in Desolation Canyon, three Desert Storm veterans brought their teenage children together for a rafting trip down the Green River in Utah. Now 13-year-old Aaron and his dad rejoin Roger (and his 13-year-old daughter, Lisa) and Willie (who brings his 17-year-old son, Cassidy). They embark from the First Nations village of Bella Bella on a 10-day trip around Queen’s Sound, along the coast of British Columbia, in sea kayaks. Aaron is thrilled to see Lisa, on whom he has a crush. He’s less happy encountering Cassidy, since the former juvenile delinquent enjoys roughhousing with him and flirting with Lisa. Over 10 days, the group hopes to explore the coast’s many islands, see wildlife, and learn about First Nations tribes, like the Heiltsuk. It becomes quite a different trip when they hear gunshots one morning from a ship named the Sea Wolf. The Chinese fishermen are gathering geoduck clams, occasionally firing their guns to scare sea lions from the catch. After speaking with Wong, the diver, the group begins paddling away—and hears a thump and a cry within the Sea Wolf’s hull. Later, Aaron overhears the adults telling Cassidy that the ship may be transporting illegal immigrants from China to Vancouver. In this novel, London once again delivers an infectious blend of action, science, and tween romance to readers of all ages. The author’s son, Sean, also returns with gorgeous illustrations accompanying the narrative’s truly magical moments, like when orcas “swam right between our kayaks, their dorsal fins slicing the surface!” Aaron’s growing pains are visible not only regarding his crush on Lisa, but also whenever his father applauds Cassidy (Aaron thinks: “It was like a needle stuck in my skin hearing my dad praise him like that”). After presenting various opinions, the book addresses the central conflict of poor refugees seeking better lives thoroughly and compassionately. Aaron endears himself to audiences, not by being an awkward kid but a blossoming young man.
An impressive sequel about an aquatic journey that stands on its own while building on the first trip.Pub Date: Feb. 23, 2016
ISBN: 978-1-943328-33-8
Page Count: 180
Publisher: WestWinds Press
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: July 1, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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