Rose’s swift, incisive narrative portrays Churchill as a brilliant, if flawed, manipulator of political theater and a star...
A study of the statesman that demonstrates how “literature can illuminate political behavior in ways that more conventional methodologies cannot.”
From his early career as an intrepid journalist through his roles in nearly every post in the British government, Winston Churchill (1874-1965) fashioned himself as the hero. “There was no clear distinction between Churchill the soldier, Churchill the politician, and Churchill the author,” writes Rose (History/Drew Univ.; The Intellectual Life of the British Working Classes, 2001, etc.). “[A]ll three were engaged in performing and publicizing a common narrative.” That narrative reflected Churchill’s ardent belief in both his own greatness and the “great man” theory of history. “In Politics,” he wrote to his mother, “a man, I take it, gets on not so much by what he does, as by what he is. It is not so much a question of brains as of character & originality.” Churchill’s character, Rose argues, was shaped by books: history (especially authors who championed an imperialist worldview), novels (H.G. Wells was a favorite) and plays (George Bernard Shaw). “Churchill was congenitally ornery, an inborn individualist who kicked against any kind of restrictions,” writes Rose. “His reading informed, refined, and mobilized his instinctive libertarianism to political action.” His political views emerged in his huge output of writing, as well: novels, memoirs, biographies and history. Fiction and fact often blurred in his work; he recognized that deft selection of details could “transform a military disaster into an aesthetic triumph.” Nor did facts hamper his oratory: “When politics is theatre,” writes the author, “the substance matters less than the script. Often Churchill was a prisoner of his own rhetoric, willing to adopt almost any ideological stance as long as it offered an opportunity for a great solo performance.”
Rose’s swift, incisive narrative portrays Churchill as a brilliant, if flawed, manipulator of political theater and a star of a tumultuous long-running drama: the history of the British Empire.Pub Date: May 27, 2014
ISBN: 978-0-300-20407-0
Page Count: 528
Publisher: Yale Univ.
Review Posted Online: March 26, 2014
Kirkus Reviews Issue: April 15, 2014
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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