Rose’s swift, incisive narrative portrays Churchill as a brilliant, if flawed, manipulator of political theater and a star...
A study of the statesman that demonstrates how “literature can illuminate political behavior in ways that more conventional methodologies cannot.”
From his early career as an intrepid journalist through his roles in nearly every post in the British government, Winston Churchill (1874-1965) fashioned himself as the hero. “There was no clear distinction between Churchill the soldier, Churchill the politician, and Churchill the author,” writes Rose (History/Drew Univ.; The Intellectual Life of the British Working Classes, 2001, etc.). “[A]ll three were engaged in performing and publicizing a common narrative.” That narrative reflected Churchill’s ardent belief in both his own greatness and the “great man” theory of history. “In Politics,” he wrote to his mother, “a man, I take it, gets on not so much by what he does, as by what he is. It is not so much a question of brains as of character & originality.” Churchill’s character, Rose argues, was shaped by books: history (especially authors who championed an imperialist worldview), novels (H.G. Wells was a favorite) and plays (George Bernard Shaw). “Churchill was congenitally ornery, an inborn individualist who kicked against any kind of restrictions,” writes Rose. “His reading informed, refined, and mobilized his instinctive libertarianism to political action.” His political views emerged in his huge output of writing, as well: novels, memoirs, biographies and history. Fiction and fact often blurred in his work; he recognized that deft selection of details could “transform a military disaster into an aesthetic triumph.” Nor did facts hamper his oratory: “When politics is theatre,” writes the author, “the substance matters less than the script. Often Churchill was a prisoner of his own rhetoric, willing to adopt almost any ideological stance as long as it offered an opportunity for a great solo performance.”
Rose’s swift, incisive narrative portrays Churchill as a brilliant, if flawed, manipulator of political theater and a star of a tumultuous long-running drama: the history of the British Empire.Pub Date: May 27, 2014
ISBN: 978-0-300-20407-0
Page Count: 528
Publisher: Yale Univ.
Review Posted Online: March 26, 2014
Kirkus Reviews Issue: April 15, 2014
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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