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TAKE ME HOME

PARKINSON’S, MY FATHER, MYSELF

The pain quotient of this heart-wrenching account is so high that a warning label should be attached: Think twice before...

A son’s unsentimental attempt to unravel the mysteries of his father’s life and come to terms with its contradictions.

Taylor, a lecturer in English at Loughborough University, began writing this memoir after the death of his father, who for nearly two decades had been suffering from Parkinson’s disease and was either unable or unwilling to talk about his past. A few years earlier, the author had discovered that he had a stepbrother, a man whose memories of their father, in his pre-Parkinson’s days, were entirely unlike his own. Taylor reconstructs scenes from his childhood and adolescence to show his father’s downward spiral—from engaged parent to a man so deep in dementia that he could not distinguish his son from a giraffe and believed he was being kidnapped by enemies. Starting in his teens, Taylor began sharing with his mother the role of caretaker. He admits to being impatient, cross, frustrated and angered by his father’s strange behaviors. It was only later when he found clinical names for the symptoms that he could begin to understand what was happening, and with understanding came guilt over his shortcomings as a caretaker. Taylor’s frankness in describing his demented father may be seen as an invasion of privacy, but it is clear that he loved him and wanted desperately to know him and understand him, going to great lengths to track down his father’s relatives, former teaching colleagues and anyone who might provide helpful memories. While Taylor’s father remains something of an enigma to him and to the reader, the unpleasant truths about being a caretaker are made plain, as are the real horrors of witnessing the destruction of a loved one’s body, personality, mind and memory.

The pain quotient of this heart-wrenching account is so high that a warning label should be attached: Think twice before giving to anyone touched by Parkinson’s disease.

Pub Date: March 1, 2009

ISBN: 978-1-86207-955-7

Page Count: 288

Publisher: Granta UK/Trafalgar

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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