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THIS IS WHERE I LEAVE YOU

Tropper (How to Talk to a Widower, 2007, etc.) has covered this man-child territory before, but few can rival his poignant...

Reeling from the sudden collapse of his marriage, Judd Foxman spends an illuminating week with his dysfunctional family.

It’s bad enough that he walks in on his wife Jen making love to another man in their bed, but the betrayal is doubly devastating when Judd realizes her partner is his boss Wade, a macho talk-radio blowhard. With the image of the two of them likely to be seared permanently onto his retinas, Judd crawls off to a sad basement rental, only to be roused a short time later by the news that his cancer-stricken father has finally died. Judd’s pop-psychologist mother Hillary calls her four grown children home to sit shiva for a full seven days, but it’s doubtful that her atheist husband would have truly appreciated this nod to Jewish tradition. Unhappy as he is, Judd can take some comfort in the fact that the rest of the Foxmans are just as screwed up. His older brother Paul, once a gifted athlete, still blames Judd for the dog attack that brought his baseball career to a halt. Paul’s wife Alice is so eager to get pregnant that she makes Judd an indecent proposal any sensible brother-in-law would refuse. Sister Wendy, married to a self-absorbed jerk, still carries a torch for her childhood sweetheart Horry, who suffered permanent brain injury in a college bar fight. And prodigal youngest Phillip shows up in a Ferrari with his much older life coach/girlfriend Tracy in tow. Thrown into the mix is potential new love interest Penny, who tantalized Judd in high school, and the news that Jen is pregnant with his (not Wade’s) baby. All this sets up Judd for a major day of reckoning, and the realization that maybe, just maybe, he has contributed to some of the problems in his life.

Tropper (How to Talk to a Widower, 2007, etc.) has covered this man-child territory before, but few can rival his poignant depictions of damaged men befuddled by the women they love.

Pub Date: Aug. 1, 2009

ISBN: 978-0-525-95127-8

Page Count: 352

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2009

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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