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THIS IS WHERE I LEAVE YOU

Tropper (How to Talk to a Widower, 2007, etc.) has covered this man-child territory before, but few can rival his poignant...

Reeling from the sudden collapse of his marriage, Judd Foxman spends an illuminating week with his dysfunctional family.

It’s bad enough that he walks in on his wife Jen making love to another man in their bed, but the betrayal is doubly devastating when Judd realizes her partner is his boss Wade, a macho talk-radio blowhard. With the image of the two of them likely to be seared permanently onto his retinas, Judd crawls off to a sad basement rental, only to be roused a short time later by the news that his cancer-stricken father has finally died. Judd’s pop-psychologist mother Hillary calls her four grown children home to sit shiva for a full seven days, but it’s doubtful that her atheist husband would have truly appreciated this nod to Jewish tradition. Unhappy as he is, Judd can take some comfort in the fact that the rest of the Foxmans are just as screwed up. His older brother Paul, once a gifted athlete, still blames Judd for the dog attack that brought his baseball career to a halt. Paul’s wife Alice is so eager to get pregnant that she makes Judd an indecent proposal any sensible brother-in-law would refuse. Sister Wendy, married to a self-absorbed jerk, still carries a torch for her childhood sweetheart Horry, who suffered permanent brain injury in a college bar fight. And prodigal youngest Phillip shows up in a Ferrari with his much older life coach/girlfriend Tracy in tow. Thrown into the mix is potential new love interest Penny, who tantalized Judd in high school, and the news that Jen is pregnant with his (not Wade’s) baby. All this sets up Judd for a major day of reckoning, and the realization that maybe, just maybe, he has contributed to some of the problems in his life.

Tropper (How to Talk to a Widower, 2007, etc.) has covered this man-child territory before, but few can rival his poignant depictions of damaged men befuddled by the women they love.

Pub Date: Aug. 1, 2009

ISBN: 978-0-525-95127-8

Page Count: 352

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2009

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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