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THE LAST GOOD TIME

SKINNY D’AMATO, THE NOTORIOUS 500 CLUB, AND THE RISE AND FALL OF ATLANTIC CITY

Uneven, but fitfully fascinating.

Magazine journalist Van Meter spins a rambling tale around the “ultimate connected guy.”

The author began his career writing for Atlantic City magazine in 1985, and his fascination with the life and times of Paul “Skinny” D’Amato dates from that point. Born in 1908, one-time convicted gambler D’Amato blossomed along with the city of his birth. Van Meter documents that fruitful era under Atlantic County Sheriff Enoch “Nucky” Johnson, who became a political superboss by recognizing that all it would take to make a bland stretch of New Jersey beach into a vibrant, all-things-to-all-comers resort was for the cops to know exactly when to look the other way. While the law did exactly that for the three decades of Johnson’s reign and beyond, Skinny grew up and became the owner-founder of the 500 Club and, concurrently, the quintessential go-between in the creation of Frank Sinatra’s Rat Pack as well its dealings with peripheral figures like Joe DiMaggio and Marilyn Monroe, the mobster Sam Giancana, his girlfriend (Judith Exner), and her boyfriend (John F. Kennedy). The club boomed with its times: dropping in during the 1950s, you’d find Martin and Lewis testing their onstage chemistry, while those hanging out by the bar included, say, Elizabeth Taylor, Milton Berle, Liberace, and Grace Kelly. The author unravels colorful yarns (some familiar) gleaned from interviews with Skinny’s family, friends, and former employees, but things lag somewhat during a detailed analysis of the transition in business-as-usual wrought by the crime-busting Kefauver Commission. As the ’60s unfold, Skinny yields to what seems in retrospect a biblical temptation by leaving AC to run Sinatra’s Cal-Neva Lodge at Lake Tahoe. It’s the beginning of the end as Marilyn overdoses, JFK travels to Dallas, and Atlantic City lapses into tenements and white-elephant hotels to await a new Casino Era.

Uneven, but fitfully fascinating.

Pub Date: June 1, 2003

ISBN: 0-609-60877-0

Page Count: 304

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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