An amusing story with a host of intriguing personalities.

THE BRIDESMAIDS UNION

Combine a family torn apart by Trump-era politics, anonymous Facebook profiles, and bride-and-groom alpacas to get a mostly entertaining tale of bridesmaid woes.

Iris Hagarty, a single mother in her late 20s, is the living embodiment of “always a bridesmaid, never a bride,” with the unfortunate addition of having been abandoned at the altar. Burned out by her frequent experiences as a bridesmaid, coupled with her insistence that her hard work is never acknowledged (she made beautiful last-minute centerpieces, and her BFF the bride didn’t even thank her!), Iris decides to create an anonymous Facebook support group for beleaguered bridesmaids: “The twenty thousand dollars she’d spent on bridesmaiding had piled up so much credit card debt, she couldn’t bear to think about it. As much as she loved weddings—the comforting formality, the beauty, the joy of the betrothed—being a bridesmaid was sucking her dry. Sure, she didn’t have to accept every invitation, but it never seemed OK to turn them down.” Thus the Bridesmaids Union is born, and Iris’ life becomes a little more complicated as she navigates the trials of her day-to-day life as a single mother, her growing duties as her sister’s maid of honor, and her increasing internet fame. While Iris’ self-righteousness and seemingly terrible decision-making wear a little thin (seriously, when has it been a good idea to secretly blog about your friends and family?) and the book leans too heavily on clichés—bridezillas, demanding mothers, and Instagram influencers peddling canine outerwear abound—Vatner nonetheless manages to create characters with surprising emotional resonance as well as to tap into the tumultuous world of online community-building.

An amusing story with a host of intriguing personalities.

Pub Date: June 14, 2022

ISBN: 978-1-2507-6239-9

Page Count: 336

Publisher: St. Martin's

Review Posted Online: March 30, 2022

Kirkus Reviews Issue: April 15, 2022

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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An alternately farcical and poignant look at family bonds.

THE SUMMER PLACE

When a family convenes at their Cape Cod summer home for a wedding, old secrets threaten to ruin everything.

Sarah Danhauser is shocked when her beloved stepdaughter announces her engagement to her boyfriend, Gabe. After all, Ruby’s only 22, and Sarah suspects that their relationship was fast-tracked because of the time they spent together in quarantine during the early days of the pandemic. Sarah’s mother, Veronica, is thrilled, mostly because she longs to have the entire family together for one last celebration before she puts their Cape Cod summer house on the market. But getting to Ruby and Gabe’s wedding might prove more difficult than anyone thought. Sarah can’t figure out why her husband, Eli, has been so distant and distracted ever since Ruby moved home to Park Slope (bringing Gabe with her), and she's afraid he may be having an affair. Veronica is afraid that a long-ago dalliance might come back to bite her. Ruby isn’t sure how to process the conflicting feelings she’s having about her upcoming nuptials. And Sam, Sarah’s twin brother, is a recent widower who’s dealing with some pretty big romantic confusion. As the entire extended family, along with Gabe’s relatives, converges on the summer house, secrets become impossible to keep, and it quickly becomes clear that this might not be the perfect gathering Veronica was envisioning. If they make it to the wedding, will their family survive the aftermath? Weiner creates a story with all the misunderstandings and miscommunications of a screwball comedy or a Shakespeare play (think A Midsummer Night’s Dream). But the surprising, over-the-top actions of the characters are grounded by a realistic and moving look at grief and ambition (particularly for Sarah and Veronica, both of whom give up demanding creative careers early on). At times the flashbacks can slow down the story, but even when the characters are lying, cheating, and hiding from each other, they still seem like a real and loving family.

An alternately farcical and poignant look at family bonds.

Pub Date: May 10, 2022

ISBN: 978-1-5011-3357-2

Page Count: 432

Publisher: Atria

Review Posted Online: Feb. 9, 2022

Kirkus Reviews Issue: March 1, 2022

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