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HOG WILD

An amusing but garrulous bacchanalia of sex, guns, and talking pigs.

In this comic action novel, a former sniper takes on a swarm of mutant hogs in rural Texas.

The feral hogs of South Texas are becoming a problem. “Two million brawling, fornicating, filthy beasts despoiling the best grazing land in the world,” as rancher Amanda Cross puts it. “Most intelligent mammal around. Smarter than a porpoise. In fact the ones that have been despoiling the Cross Bar Ranch seem to have become unusually smart.” That’s why Cross has hired Ray Puzo, a Special Forces sniper who has spent the last 17 years dealing death in Iraq, Somalia, and Afghanistan. Hunting a few hogs sounds like an easy job to Ray, though the task quickly proves to be much more than he bargained for. For one thing, the Cross Bar Ranch is some 450 square miles in size. For another, Ray immediately embarrasses himself by getting beaten senseless by a vaquero outside the local watering hole. For a third, Cross’ 30-something daughter, Loretta, is an unstable, violent nymphomaniac who seduces Ray (mentioning that she’d love for him to kill her father). Oh, yeah, and then there’s the minor issue of the pigs themselves, who turn out to be a horde of superintelligent mutants who can speak and fire guns and go by punny pig names like Julius Caesar Pepperoniopolis and Reichsfuhrer Genghis of Cannes. The hogs have launched a holy war (“jihog”) against humankind, and their primary target is none other than the man they see as the greatest threat to their continued existence: Ray. Can Ray overcome his PTSD-induced sexual problems and defeat an army of anthropomorphized hogs?

Woods’ prose is a postmodernist mix of clever wording and libidinous humor, as here where he describes the tale’s primary setting: “Viewed from above, say from a Chinese spy satellite or perhaps one belonging to the Department of Homeland Security, the Cross Bar Ranch assumed the amphibian appearance of a giant pollywog. Or a lusty spermatozoon.” The book is gleefully violent and raunchy, and it doesn’t try to make its protagonist—an amoral man who isn’t afraid to drop a racial slur—palatable in the least. Ray is a type familiar enough from modern Westerns and crime novels, and he feels at home here in this genre mashup. Unfortunately, the story’s treatment of its female characters—most of whom throw themselves at Ray at one point or another—leaves much to be desired. The tone isn’t funny so much as it is absurdist. There are nods to Animal Farm, but the novel has no real political agenda per se, and its spiritual predecessors are less Orwell or Vonnegut than they are 1980s action movies. Readers looking for brainless fun of a certain he-man variety will find it here. But given Woods’ talent for turning a phrase or setting a scene, it’s disappointing that he did not set his ambitions a bit higher.

An amusing but garrulous bacchanalia of sex, guns, and talking pigs.

Pub Date: Aug. 26, 2022

ISBN: N/A

Page Count: 337

Publisher: Close to the Bone

Review Posted Online: July 28, 2022

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TWICE

Have tissues ready as you read this. A small package will do.

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A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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