by Jonathan Woods ‧ RELEASE DATE: Aug. 26, 2022
An amusing but garrulous bacchanalia of sex, guns, and talking pigs.
In this comic action novel, a former sniper takes on a swarm of mutant hogs in rural Texas.
The feral hogs of South Texas are becoming a problem. “Two million brawling, fornicating, filthy beasts despoiling the best grazing land in the world,” as rancher Amanda Cross puts it. “Most intelligent mammal around. Smarter than a porpoise. In fact the ones that have been despoiling the Cross Bar Ranch seem to have become unusually smart.” That’s why Cross has hired Ray Puzo, a Special Forces sniper who has spent the last 17 years dealing death in Iraq, Somalia, and Afghanistan. Hunting a few hogs sounds like an easy job to Ray, though the task quickly proves to be much more than he bargained for. For one thing, the Cross Bar Ranch is some 450 square miles in size. For another, Ray immediately embarrasses himself by getting beaten senseless by a vaquero outside the local watering hole. For a third, Cross’ 30-something daughter, Loretta, is an unstable, violent nymphomaniac who seduces Ray (mentioning that she’d love for him to kill her father). Oh, yeah, and then there’s the minor issue of the pigs themselves, who turn out to be a horde of superintelligent mutants who can speak and fire guns and go by punny pig names like Julius Caesar Pepperoniopolis and Reichsfuhrer Genghis of Cannes. The hogs have launched a holy war (“jihog”) against humankind, and their primary target is none other than the man they see as the greatest threat to their continued existence: Ray. Can Ray overcome his PTSD-induced sexual problems and defeat an army of anthropomorphized hogs?
Woods’ prose is a postmodernist mix of clever wording and libidinous humor, as here where he describes the tale’s primary setting: “Viewed from above, say from a Chinese spy satellite or perhaps one belonging to the Department of Homeland Security, the Cross Bar Ranch assumed the amphibian appearance of a giant pollywog. Or a lusty spermatozoon.” The book is gleefully violent and raunchy, and it doesn’t try to make its protagonist—an amoral man who isn’t afraid to drop a racial slur—palatable in the least. Ray is a type familiar enough from modern Westerns and crime novels, and he feels at home here in this genre mashup. Unfortunately, the story’s treatment of its female characters—most of whom throw themselves at Ray at one point or another—leaves much to be desired. The tone isn’t funny so much as it is absurdist. There are nods to Animal Farm, but the novel has no real political agenda per se, and its spiritual predecessors are less Orwell or Vonnegut than they are 1980s action movies. Readers looking for brainless fun of a certain he-man variety will find it here. But given Woods’ talent for turning a phrase or setting a scene, it’s disappointing that he did not set his ambitions a bit higher.
An amusing but garrulous bacchanalia of sex, guns, and talking pigs.Pub Date: Aug. 26, 2022
ISBN: N/A
Page Count: 337
Publisher: Close to the Bone
Review Posted Online: July 28, 2022
Review Program: Kirkus Indie
Share your opinion of this book
More by Jonathan Woods
BOOK REVIEW
by V.E. Schwab ‧ RELEASE DATE: June 10, 2025
A beautiful meditation on queer identity against a supernatural backdrop.
Awards & Accolades
Likes
70
Our Verdict
GET IT
New York Times Bestseller
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Share your opinion of this book
More by V.E. Schwab
BOOK REVIEW
by V.E. Schwab
BOOK REVIEW
by V.E. Schwab ; illustrated by Manuel Šumberac
BOOK REVIEW
by V.E. Schwab
More About This Book
PERSPECTIVES
PERSPECTIVES
by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
Awards & Accolades
Likes
162
Our Verdict
GET IT
New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
Share your opinion of this book
More About This Book
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.