by Jonathan Woods ‧ RELEASE DATE: Nov. 15, 2016
A sharp, contemporary crime novel with classic genre elements.
In Woods’ (Phone Call From Hell And Other Tales of the Damned, 2014, etc.) noirish tale, a just-paroled convict goes after two women whose double cross led to his imprisonment.
When the recession forces Atlanta-based war veteran Bill Derringer into a 14-week furlough from his job as a waste-management truck driver, he and his wife, Edie, find themselves short on both cash and entertainment. She suggests a trip to Orlando, Florida, to see a murder trial, so they pack up their clothes and their two kids and head south. They crash at Edie’s cousin Ida’s place, but it isn’t long before the unemployed “Aunt Ida,” as she’s called, proposes robbing a local guns-and-ammo show. Derringer is surprised to learn that Edie and Aunt Ida have been lovers since high school, and after the robbery, he finds out that Aunt Ida’s plan to escape to Mexico City with the loot doesn’t include him. He winds up in prison for the heist, while the two women vanish. Five-and-a-half years later, he reports to a Miami halfway house, initially invested in finding his estranged children. But he soon makes tracks for Mexico City. Along the way, he becomes a courier for a mysterious suitcase that once belonged to Beat Generation writer William S. Burroughs, and even agrees to infiltrate a drug cartel for an unspecified U.S. agency—but his true goal is revenge. Woods’ story has several pulp-fiction trademarks, including a slew of seedy characters and plenty of sex and violence. But the book isn’t as hard-boiled as readers may anticipate. For every brazen simile (“The afternoon sun beat down like a dominatrix in a sweat”), narrator Derringer drops a line that’s endearing or sentimental, as when he recalls when he and Edie “smooched and groped each other like movie matinee lovers.” Although the perpetually gruff protagonist is a hard man to like, he enjoyably teams up with fellow halfway house resident Jane Ryder, who’s equally cynical but also whip-smart and reliable. A gleefully convoluted final act includes Nazis, unexpected deaths, and an over-the-top villainous plot.
A sharp, contemporary crime novel with classic genre elements.Pub Date: Nov. 15, 2016
ISBN: 978-8-28-355028-3
Page Count: -
Publisher: 280 Steps
Review Posted Online: March 10, 2017
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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