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THE RIVER WIFE

Despite fevered descriptions and various half-developed characters meandering down plot paths leading nowhere, the...

A catfish stew of a novel from Agee (The Weight of Dreams, 1999, etc.), covering three generations of a Missouri farming family that can’t shake its river pirate roots.

In 1930, Hedie Rails marries charming spendthrift Clement Ducharme and moves to his farm at Jacques’ Landing. Desperate for money to keep the farm afloat, Clement disappears frequently on probably criminal business. Left behind, pregnant and lonely, Hedie finds a journal—a too obviously artificial literary device—that tells the Ducharme family history. In 1811, river pirate Jacques Ducharme saves Annie Lark’s life after an earthquake leaves her crippled. They marry but their early passion withers when Jacques’ vicious dogs kill their child in a horrifying scene. Annie dies in a flood. Jacques’ main cohort and confidante becomes Omah, the daughter of freed slaves. After the Civil War, Jacques murders his second wife, Laura, who has proved herself both unfaithful and greedy. Omah helps him raise Laura’s daughter, Little Maddie, the novel’s one lovable character. When Jacques finally dies, his will requires that Little Maddie remain celibate if she wants to keep the farm. Instead, after a 13-year love affair, she uses a horse to bribe her way into getting both farm and marriage, then dies two years later. Her son is Clement. He squanders Hedie’s love with his unquenchable lust for money, and possibly other women. After Hedie miscarries their first child, she befriends the black couple down the road whose daughter, Omah’s granddaughter, India, becomes Clement’s apparent lover. Then Hedie, again pregnant, finds Clement shot in the front seat of his car with India dead in the back. She follows his dying orders to bury him in quicksand so she can keep Jacques’ Landing and raise the next Ducharme generation.

Despite fevered descriptions and various half-developed characters meandering down plot paths leading nowhere, the violence-spiked romance upon violence-spiked romance becomes addictive.

Pub Date: July 1, 2007

ISBN: 978-1-4000-6596-7

Page Count: 432

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2007

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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