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THIN PLACES

ESSAYS FROM IN BETWEEN

Thoughtful, engaging, and informative essays from a writer to watch.

Astute, perceptive forays into America’s nooks and crannies.

In her debut book’s titular essay, about revolutionary deep brain stimulation for patients with obsessive-compulsive disorder, Kisner writes that the barrier “between the physical world and the spiritual world wears thin and becomes porous.” She continues, “the thin places I’ve known aren’t always places, per se. Sometimes a thin place appears between people. Sometimes it happens only inside you.” Combining reportage and the personal essay, the author often finds herself involved in the subjects she discusses. In “Attunement,” she recounts when a “handful of kids delivered my soul to Jesus at summer camp.” But when she was 12, God just “vanished. I didn’t know why.” The essay traces her religious pilgrimage and fascination with Kierkegaard’s “tract on faith and doubt,” Fear and Trembling, and her “late-breaking phantom limb syndrome of the soul.” In “Jesus Raves,” Kisner chronicles her up-close and personal experiences with a church’s hip outreach to young people (“they could be J. Crew models, but they are pastors”). “Stitching” focuses on “ ‘The Bloggernacle,’ a contingent of Mormon mothers who have taken over a sizable piece of the online aspirational lifestyle industry” with their anti-Trump message. “Habitus,” one of the best pieces, roams widely, from a debutante ball in Laredo, Texas, to border immigration to the TV show Say Yes to the Dress to matters concerning the author’s sexuality. In “The Big Empty,” Kisner explores the “enormous, hypersensory multimedia installations” of Ann Hamilton. As a good reporter, the author never judges the people she writes about, often finding common ground with them. She admires the “strange beauty” of the Shakers’ buildings and the “ecstatic, cathartic” quirkiness of their worship—“they simply shook and shook, overcome.” Later, Kisner joined in with a “little dance,” a “wiggle, an homage but also a mini-catharsis of the fine posture and right angles of the morning.”

Thoughtful, engaging, and informative essays from a writer to watch.

Pub Date: March 3, 2020

ISBN: 978-0-374-27464-1

Page Count: 272

Publisher: Farrar, Straus and Giroux

Review Posted Online: Nov. 19, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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